Guitar Fretboard Atlas LIBRO SCALE ARPEGGI

Guitar Fretboard Atlas, Get a Better Grip on Neck Navigation. SHEET MUSIC BOOK.

LIBRO METODO PER CHITARRA .
SCALE, ARPEGGI, ACCORDI, ARMONIA, SOLOING.

NEL PIANOFORTE POSSIAMO VEDERE LE NOTE, ESSENDO RICONOSCIBILI ALLA VISTA, E DIVISE IN TASTI BIANCHI E NERI.

QUESTO NELLA CHITARRA NON è POSSIBILE, ESSENDO LA CHITARRA UNO STRUMENTO ''DEMOCRATICO'', NON HA SEPARATO LE NOTE DELLA SUA TASTIERA IN NOTE BIANCHE E NERE.

QUESTO PERò NON è DI AIUTO QUANDO SI IMPROVVISA UN ASSOLO O UNA MELODIA.

QUESTO LIBRO INSEGNA A VISUALIZZARE AL 100% LE CONNESSIONI TRA LE NOTE, CHE FORMANO SCALE, ARPEGGI, ACCORDI, SULLA TASTIERA DELLA CHITARRA.

WWW.CHITARRALAMPO.COM


Series: Guitar Educational
Format: Softcover
Author: Joe Charupakorn

Mastering the guitar neck has always been a challenge, even for very experienced players. The full-color diagrams in Guitar Fretboard Atlas will help you quickly memorize scales and chords that may have previously seemed impossible to grasp. You'll be able to easily see and understand how scale and chord shapes are laid out and how they connect and overlap across the neck. This is a collection of roadmaps for the most important scales and chords. The material is presented in all 12 keys, using complete 24-fret neck diagrams with color-coded displays of the most common fingerings.

Inventory #HL 00124164
ISBN: 9781480367043
UPC: 884088964108
Width: 9.0"
Length: 12.0"
192 pages

HOW TO USE THIS BOOK
A great strategy for getting the most out of Guitar Fretboard Atlas is to take one shape and work with it for a while in one key until it feels comfortable. For memorizing scales, first take into account how many notes are on each string and how far apart the notes are in the shape—the distance from one note to the next will, in most cases, be only a fret or two away. (In the case of pentatonic scales, sometimes they are three frets apart.) As you become familiar with a scale shape, add in an adja-cent shape in the same key. Once you can see both shapes independently and also as pieces of a bigger puzzle, then practice going back and forth between the two. There are countless ways to put the scale shapes to use. For example, you can run the scales straight up and down, improvise with them, or sight read, using the shapes as a reference. Do this in all 12 keys. For internalizing chords shapes, first take some time to get a mental picture of the chord's shape. After committing it to memory, practice getting to the shape quickly without referring to the book and also make sure all the notes are ringing clearly. Add another voicing of the same chord and then practice moving back-and-forth between the two voicings. Once you are comfortable with this, do it in the remaining keys. To gain flexibility with the new chords, practice a short progression of two or three chords in different keys, at first using two voicings for each chord. Then add more voicings as it becomes second nature.
Beyond the Fingering For each chord diagram, every tone of the specific chord is circled, but only the most common moveable chord shapes are displayed with color codes. This is just a starting point—you shouldn't feel locked in" to any of the shapes presented. If you want to reach for some inversions and/or smaller chord fragments that might be more suitable for specific applications, use the circled chord tones as a guide and go for it! Because all the notes interconnect, the idea is that, ultimately, you'll see the guitar neck as one unit.

TABLE OF CONTENTS
Introduction

About the Author

How to Use This Book

Notation Conventions in This Book



SCALES

The Major Scale and Its Modes

Ionian (Major)

Dorian Phrygian

Lydian

Mixolydian

Aeolian (Natural Minor)

Locrian



Pentatonic and Blues Scales

Major Pentatonic

Minor Pentatonic Blues



The Melodic Minor Scale and Its Modes

Melodic Minor

Dorian b2

Lydian Augmented

Lydian Dominant

Mixolydian b6

Locrian 2

Super Locrian



The Harmonic Minor Scale and Its Modes

Harmonic Minor

Locrian 6

Ionian #5

Dorian #4

Phrygian Dominant

Lydian #2

Super Locrian .bb7



CHORDS

Power Chords



Triads

Major

Suspended 4th: sus4

Minor: m

Augmented: +

Diminished: °



Triads with Added Notes

Add Nine: add9

Minor Add Nine: m(add9)

Six: 6

Minor Six: m6

Six-Nine:  §

Minor Six-Nine: m§



Seventh Chords

Major Seventh: maj7

Dominant Seventh: 7

Dominant Seventh Suspended 4th: 7sus4

Minor Seventh: m7

Minor-Major Seventh: m(maj7)

Minor Seventh Flat Five: m765

Diminished Seventh: .7°