LIBRI, SPARTITI, TABLATURE DI MUSICA NEOCLASSICAL

SPARTITI NEO-CLASSICO

LIBRI DI MUSICA CLASSICA PER CHITARRA ELETTRICA.

SPARTITI PER CHITARRA CON TABLATURE. 

WWW.CHITARRALAMPO.COM

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1109 BACH J. S., FOR ELECTRIC GUITAR. Kiefer. CD TABLATURE





Euro 18,99



Quantità
BACH J. S., FOR ELECTRIC GUITAR. John Kiefer. 6 pezzi, tra i quali la Toccata e Fuga in re minore di 6 minuti e 20 secondi. CD TABLATURE

Unlike many Bach editions for guitar, these transcriptions are meant to be performed using a pick. Although a few of the pieces may be played on a standard acoustic guitar, most require an electric guitar or a guitar with a cutaway. All pieces are in the original keys and their ranges may require notes as high as the twenty-second fret. Written in notation and tablature, these six pieces make great sight reading exercises. The included CD will prove an asset in learning these often challenging pieces.

ABOUT THE AUTHOR
John Kiefer developed an interest in the guitar at a young age. Among his classical guitar teachers were Howard Wallach at San Jactinto College and William Gangel at Southwest Texas State University. Mr. Kiefer is a graduate of the Guitar Institute of Technology in Los Angeles, California, as well as the University of Houston where he received a Bachelor's degree in music composition. He has studied composition with Robert Albury, George Burt at Rice University, and he is currently studying with Michael Horvit and Reynaldo Ochoa at the University of Houston where he is working on a Master's degree in music composition. John is the author of a series of electric guitar transcriptions and companion CDs published by Mel Bay Publications including Classical Music for Electric Guitar, and Christmas Music for Electric Guitar. His guitar compositions include numerous works for classical and electric guitar in various settings. His sex t e t for flute, oboe, bass clarinet, percussion, electric guitar and cello was selected as the winner of the first annual Brown New Music composition competition at Brown University in Providence, Rhode Island where it was performed in the spring of2001. Hex e n bra u for electric guitar and orchestra was premiered in October of 2001 by the Baytown Symphony Orchestra with the composer as soloist. Mr. Kiefer currently teaches at Lee College in Houston, Texas.

PREFACE
Unlike many Bach editions for guitar, these transcriptions are meant to be performed using a pick. Even though a few of the pieces may be played on a standard guitar, the others require an electric guitar or a guitar with a cutaway. The highest note used is the D on the 22nd fret of the first string. All pieces are in their original keys. Octaves have been occasionally raised or lowered to suit the range of the guitar. One of the techniques employed in this collection is hybrid picking. Hybrid picking is a right hand technique combining the use of the pick (held by the thumb -p-and the index finger -i-) with the remaining right hand fingers simultaneously. The indications are m - 2nd finger, a - 3rd finger, and c- 4th finger. All slurs (hammer-ons and pull-offs) are indicated on the tablature by an arc between two or more numbers. Glissandos (slides) are notated with a diagonal line. This collection consists of music written for flute (Badinerie), violin (Preludio and Gigue) and organ (Toccata and Fugue in D minor, Fantasia in G, and Praeludium in A minor). In its original setting, the Badinerie (flute part) is accompanied by a small orchestra consisting of two violins, a viola, and basso continuo.

Contents:
Fantasia In G Major Bwv 572 (Tres Vitement) (1:57) -- Johann Sebastian Bach, Transc. By: John Kiefer
Gigue In E (From Partita No.3 Bwv 1006) (2:04) -- Johann Sebastian Bach, Transc. By: John Kiefer
Toccata And Fugue In D Minor (Bwv 565) (6:19) -- Johann Sebastian Bach, Transc. By: John Kiefer
Badinerie (From Suite No. 2 Bwv 1067) (1:24) -- Johann Sebastian Bach, Transc. By: John Kiefer
Praeludium In A Minor (Bwv 543) (2:11) -- Johann Sebastian Bach, Transc. By: John Kiefer
Preludio In E (From Partita No.3 Bwv 1006) (2:16) -- Johann Sebastian Bach, Transc. By: John Kiefer
Fantasia In G Major Bwv 572 (Tres Vitement) (1:57) -- Johann Sebastian Bach, Transc. By: John Kiefer
Gigue In E (From Partita No.3 Bwv 1006) (2:04) -- Johann Sebastian Bach, Transc. By: John Kiefer
Toccata And Fugue In D Minor (Bwv 565) (6:19) -- Johann Sebastian Bach, Transc. By: John Kiefer
Badinerie (From Suite No. 2 Bwv 1067) (1:24) -- Johann Sebastian Bach, Transc. By: John Kiefer
Praeludium In A Minor (Bwv 543) (2:11) -- Johann Sebastian Bach, Transc. By: John Kiefer
Preludio In E (From Partita No.3 Bwv 1006) (2:16) -- Johann Sebastian Bach, Transc. By: John Kiefer



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6556 CLASSICS FOR ELECTRIC GUITAR, John Kiefer. CD TABLATURE





Euro 18,00



Quantità
CLASSICS FOR ELECTRIC GUITAR, John Kiefer. CD TABLATURE

Product Description:
A collection of "classical" transcriptions for modern electric guitar; selections include several of Telemann's flute Fantasias, C.P.E. Bach's Solfegietto, Saint Saens' Danse Macabre, Debussy's Syrinx and more. Guitar techniques involved include alternate and hybrid picking, string skipping and sweep picking in a time-tested context. Includes companion CD of the selections in a variety of settings. CD also features bonus tracks from the author's other Mel Bay projects.

Product Number: 98672BCD
Format: Book/CD Set

Contents:

Saltarello I -- Anonymous
Saltarello II -- Anonymous
Fantasia 1: Vivace -- G.P. Telemann
Fantasia XI: Allegro -- G.P. Telemann
Fantasia VIII: Largo -- G.P. Telemann
Fantasia VIII: Spirituoso -- G.P. Telemann
Fantasia X: A Tempo Giusto -- G.P. Telemann
Fantasia VI: Dolce -- G.P. Telemann
Trio from Suite in A Minor -- G.P. Telemann
Solfeggietto -- C.P.E. Bach
Danse Macabre -- Camielle Saint-Saens
Requiem Dies irae (opening) -- Guiseppe Verdi
Syrinx -- Claude Debussy



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6585 CHRISTMAS MUSIC FOR ELECTRIC GUITAR, John Kiefer. CD TABLATURE





Euro 15,00



Quantità
CHRISTMAS MUSIC FOR ELECTRIC GUITAR, John Kiefer. Quattro miniature da Tchaikovsky Nutcracker Suite, Johann Pachelbel Canon, ecc. CD TABLATURE

Product Description:
This book features Christmas music of primarily classical origins, transcribed for one, two, or three electric guitars. These transcriptions were notated in standard notation and tablature and are meant to be performed with a pick, or using hybrid picking. Even though a few of the pieces may be played on a standard guitar, the others require an electric guitar or a guitar with a cutaway. The recording features performances of all of the music in the book with anywhere from one to as many as eight guitars sounding simultaneously. The last four tracks of the CD feature certain previous tracks with the first guitar omitted. By using these tracks as accompaniment one can practice or perform with the CD. Selections include Carol of the Bells, Four miniatures from Tchaikovsky's Nutcracker Suite, Johann Pachelbel's Kanon, and more.

Product Number: 98673BCD
Format: Book/CD Set



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0180 CHALLENGE THE MASTERS, BOOK CD PACK. TABLATURE





Euro 19,00



Quantità
CHALLENGE THE MASTERS. Trascrizioni di musica classica. Molti chitarristi rock come Yngwie Malmsteen si sono ispirati ai grandi compositori del passato; siamo certi che questo incontro con il bel Canon in re di Pachelbel (per chitarra solista e accompagnamento), i Capricci di Paganini, Images di Debussy, il Concerto in LA minore di Vivaldi, le Bagatelle di Beethoven, il preludio della Cello Suite VI di Bach, sarà un fertile terreno per la fermentazione e la crescita di molte idee per la vostra musica. Contiene: Mozart; symphony no. 25 -Mozart; quartet no.14 in G major -Mozart; quartet no. 15 in D minor -Mozart; magic flute overture -Mozart; minuet -Bach; orchestral suite no.3 in D major -Bach; orchestral suite no.2 in B minor -Bach; prelude cello suite VI -Bach; prelude cello suite III -Bach; bourree lute suite no.1 -Bach, Brandenburg concerto no.5 in D major -Bach; cello suite VI gavotte 2 -Paganini; caprice no.24 opus 1 -Paganini, caprice no.2 opus 1 (1st excerpt) -Paganini; caprice no.21 opus 1 -Paganini; caprice no.2 opus 1 (2nd excerpt) -Paganini; caprice no.16 opus 1 (1 excerpt) -Paganini; capriccio no.5 opus 1 -Paganini; caprice no. 16 opus 1 (2nd excerpt) -Paganini; caprice no.1 opus 1 -Debussy; 2nd arabesque -Debussy; claire de lune -Debussy; images -Vivaldi; concerto in A minor opus 3 no.8 -Beethoven; bagatelles -Pachelbel; canon in D (guirar 1, guitar 2, background guitar) -Daquin; le coucou -Paganini; caprice no.5 -Paganini;caprice no.16 -Bach; bourree -Mozart; simphony no. 25. CD TABLATURE



Series: Guitar School
Medium: Softcover with CD
Author: John Tapella

Inspired by the neoclassical movement with such stars as Yngwie Malmsteen and Randy Rhoads, this book provides notes, tab and fingerings to classics by Bach, Mozart, Paganini, Vivaldi, and more! The recordings present fresh interpretations of each piece in the book, complete with explanations and playing tips on the following techniques: Tapping - String Skipping - Position Shifting - Alternate picking - Hybrid picking - Sweep picking - Pedal points. Plug in to the latest rock techniques and tune in to the genius of the classical masters! 35-minute audio accompaniment. 64 pages.

Contents
Minuet composed by Wolfgang Amadeus Mozart, excerpt.
Clair De Lune composed by Claude Debussy, excerpt.
Magic Flute Overture, The composed by Wolfgang Amadeus Mozart, excerpt.
Bagatelles composed by Ludwig Van Beethoven, excerpt.
Bourree - For 2 Guitars composed by Johann Sebastian Bach
Symphony No.25, K.183 composed by Wolfgang Amadeus Mozart, excerpt.
Quartet No.14 In G Major, K.387 composed by Wolfgang Amadeus Mozart, excerpt.
Quartet No.15 In D Minor, K.421 composed by Wolfgang Amadeus Mozart, excerpt.
Orchestral Suite No.3 In D Major composed by Johann Sebastian Bach, excerpt.
Orchestral Suite No.2 In B Minor composed by Johann Sebastian Bach, excerpt.
Prelude Cello Suite VI composed by Johann Sebastian Bach, excerpt.
Prelude Cello Suite III composed by Johann Sebastian Bach, excerpt.
Brandenburg Concerto No. 5 In D Major composed by Johann Sebastian Bach, excerpt.
Cello Suite VI - Gavotte II composed by Johann Sebastian Bach, excerpt.
Caprice No.2, Op 1 composed by Nicolo Paganini, excerpt.
Caprice No.2, Op.1 composed by Nicolo Paganini, excerpt.
Caprice No.21, Op.1 composed by Nicolo Paganini, excerpt.
Caprice No.2, Op.1 - 2nd Excerpt composed by Nicolo Paganini, excerpt.
Caprice No.16, Op.1 composed by Nicolo Paganini, excerpt.
Caprice No.5, Op.1 composed by Nicolo Paganini, excerpt.
Caprice No.16, Op.1 - 2nd Excerpt composed by Nicolo Paganini, excerpt.
Caprice No.1, Op.1 composed by Nicolo Paganini, excerpt.
2nd Arabesque composed by Claude Debussy, excerpt.
Images composed by Claude Debussy, excerpt.
Concerto In A Minor, Op.3, No.8 composed by Antonio Vivaldi, excerpt.
Canon In D - For 3 Guitars composed by Johann Pachelbel, excerpt.
Le Coucou - For 2 Guitars composed by Louis-Claude Daquin
Caprice No.5 composed by Nicolo Paganini
Caprice No.16 composed by Nicolo Paganini
Bouree From Lute Suite No.1 composed by Johann Sebastian Bach, excerpt.




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0238 CHALLENGE THE MASTERS, MORE. BOOK & C.D. OUT OF PRINT





Euro 21,00



Quantità
CHALLENGE THE MASTERS, MORE. Secondo volume di estratti di musica classica per chitarra elettrica. Contiene: da "sinfonia n.5 in do minore, op.67" (Beethoven) -da "simfonia n.9 in re minore, op.125" (Beethoven) -da "studio trascendentale n.5" (F. Liszt) -da "rapsodia Ungherese n.2" (F. Liszt) -da "Valse Impromptu" (F. Liszt) -da "Rondo op. 1" (Chopin) -da "Sinfonia n.29" (Mozart) -ecco la marcia (Mozart) -da "sinfonia n.41 in do minore, K. 551" Jupiter (Mozart) -da "sinfonia n.35 in re maggiore K. 385 "Haffner" (Mozart) -da "Requiem K. 626" (Mozart) -da "L'oro del Reno" (Wagner) -da "Requiem" (G. Verdi) -"Studio trascendentale" (F. Liszt) -da "Requiem" (Mozart) -greensleeves (Anonimo del XVI secolo) -"Water music" (Handel) -"Fantasie impromptu, op. 66" (Chopin). CD TABLATURE



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6273 CLASSICAL MASTERPIECES FOR ELECTRIC GUITAR. TABLATURE





Euro 10,00



Quantità
CLASSICAL MASTERPIECES FOR ELECTRIC GUITAR. TABLATURE

Geared toward performers and students wishing to expand their knowledge of the classical repertoire, this newly engraved collection features famous and popular works. Special arrangements include pieces by Bach, Sor, Clementi, Byrd, Rameau, Grieg, Moussourgsky, and Paganini. Tablature, historical notes, and performance tips appear with each piece

Contents:
Introduction
Glossary
Caprice No.24 [Paganini, Niccolo]

In The Hall Of The Mountain King (Peer Gynt Suite) [Grieg, Edvard]

Invention In D Minor [J.S. Bach, Johann Sebastian]

Le Tambourin [Rameau, Jean-philippe]

Prelude (Partita No.3 For Violin, Bwv 1006) [Bach, Johann Sebastian]

Prelude [Tarrega, Francisco]

Sonatina In C [Clementi, Muzio]

Study In C [Sor, Fernando]

Study In G [Sor, Fernando]

Suite In G (Six Suites For Unaccompanied Cello, Bwv1007) [Bach, Johann Sebastian]

The Flute And The Droome [Byrd, William]

The Old Castle (Pictures At An Exhibition) [Mussorgsky, Modest]



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6360 PAGANINI, ULTIMATE GUITAR: SHREDDING CLASSICAL, CAPRICE #5. Andy James. DVD





Euro 23,00



Quantità
PAGANINI, ULTIMATE GUITAR: SHREDDING CLASSICAL, CAPRICE #5, impara a suonare con Andy James, Paganini per chitarra elettrica. DVD Product Description: Learn to play Paganini’s Caprice #5 on electric guitar with Andy James. The 24 Caprices have often been hailed as some of the most challenging musical pieces ever written. We have taken this music and translated it to the electric guitar to provide a wealth of melody, harmony and killer guitar licks! Although not for the faint hearted, completing these pieces will not only make you a better player, but will also put you out there with some of the best technicians in the World. Format: DVD Series: Non-Series Publisher: Lick Library



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6510 PAGANINI, ULTIMATE GUITAR: SHREDDING CLASSICAL, CAPRICE #24 BY DANNY GILL. DVD





Euro 23,00



Quantità
PAGANINI, ULTIMATE GUITAR: SHREDDING CLASSICAL, CAPRICE #24 BY DANNY GILL. DVD Learn to play Paganini’s Caprice #24 on electric guitar with Danny Gill. The 24 Caprices have often been hailed as some of the most challenging musical pieces ever written. We have taken this music and translated it to the electric guitar to provide a wealth of melody, harmony and killer guitar licks! Although not for the faint hearted, completing these pieces will not only make you a better player, but will also put you out there with some of the best technicians in the World.



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6639 PAGANINI CAPRICE NO. 24. Michael Fath. CD TABLATURE





Euro 18,00



Quantità
PAGANINI CAPRICE NO. 24. Michael Fath. CD TABLATURE

Series: Guitar Book
Medium: Softcover with CD
Artist: Michael Fath

Paganini, 'the Hendrix of the violin,' is an inspiration to all classical guitar players, especially the new breed of electrical classical players. This book features Paganini's Caprice No. 24 arranged for electric guitar in notes and tablature by Michael Fath. 22-minute accompanying audio features Fath demonstrating the arrangements. 32 pages



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0213 J.S. BACH BOURRE AND GIGUE, Michael Fath. CD TABLATURE





Euro 16,00



Quantità















SPARTITI NEO-CLASSICO





1 - 2 - 3


0217 SPEED METAL BOOK CD





Euro 19,00



Quantità
SPEED METAL. Raccolta di Brani di Paganini, R. Kruetzer, Pachelbel con il celebre "Canon in re", con una dimostrazione di tecnica "tapping". Con un estratto dalla famosa "Toccata e fuga in Re minore" di J. S Bach; che potrete vedere anche nel video di Wolf Marshall, styles and secrets Yngwie Malmsteen. E' sorprendente come la tecnica del tapping nella chitarra elettrica riesce ad emulare il suono originale dell'organo. Contiene: Jesu, joy of man's desiring (J.S. Bach) -partita number 1 (J.S. Bach) -Toccata number 4 -etude (R. Kruetzer) -capriccio numero 24, e 11 variazioni (Paganini) -le quattro stagioni (Vivaldi) -il volo del calabrone (N.Rimsky-Korsakoff) -Canon in re (Pachelbel) -Toccata (J.S. Bach) -Fugue (J.S. Bach). CD TABLATURE

Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover with CD
Composer: Dave Celentano

In an attempt to teach the aspiring rock guitarist how to pick faster and play more melodically, Dave Celentano uses heavy metal neo-classical styles from Paganini and Bach to rock in this great new book/CD pack. The book is structured to take the player through the examples in order of difficulty, from easiest to most challenging.



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0317 ROCK AROUND THE CLASSICS. D. Celentano. CD TABLATURE





Euro 19,00



Quantità
ROCK AROUD THE CLASSICS. D. Celentano. Musica classica per una chitarra elettrica Trascrizioni personalizzate con colori metallizzati al nitro tapping satinato, string damped opacizzante, sabbiature e solvente abrasivo con sweep picking. Preludio in RE minore, Bach -rondò marcia turca, Mozart -Layenda, Albeniz -Jesu, joy of man's desiring, Bach -preludio in DO, DO#, Bach -toccata e fuga in RE minore (trascrizione integrale con la tecnica tapping), Bach. Per 2 chitarre: invenzione 4, 8, Bach -canon in RE, Pachelbel. CD TABLATURE

ROCK AROUND THE CLASSICS
Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover with CD


Arranger: Dave Celentano
Author: Dave Celentano


This book/CD pack introduces guitarists of all levels to fresh & innovative ways of playing some of the most popular classical songs. The songs are in order from easiest to most challenging, and a lesson is included on each. Includes: Leyenda - Jesu, Joy Of Man's Desiring - Prelude in C# Major - Toccata and Fugue in D Minor - Canon in D Major, more. 80 pages.



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0695 SPEED MECHANICS FOR LEAD GUITAR CD STETINA. TABLATURE




Euro 23,00
- 17,43% Euro 18,99



Quantità
SPEED MECHANICS FOR LEAD GUITAR. Stetina. Oltre a numerosi esercizi e consigli per lo sviluppo della velocità e dello sweep picking; contiene le 106 battute del "Il volo del calabrone" di Rimsky-Korsakov (completo); il "Capriccio n.10" di Paganini e "Preludio in D" di J.S. Bach. CD TABLATURE

Series: Stylistic Method TABLATURE
Author: Troy Stetina
Take your playing to the stratosphere with the most advanced lead book by this proven heavy metal author. Speed Mechanics is the ultimate technique book for developing the kind of speed and precision in today's explosive playing styles. Learn the fastest ways to achieve speed and control, secrets to make your practice time really count, and how to open your ears and make your musical ideas more solid and tangible. Packed with over 200 vicious exercises including Troy's scorching version of Flight of the Bumblebee. Music and examples demonstrated on CD. 89-minute audio.
80 pages

Caprice No. 10 (Paganini)
Prelude In D (Bach)
The Flight Of The Bumble Bee



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5322 CLASSICAL THEMES FOR ELECTRIC GUITAR, 25 Solo Guitar Arrangements, Jean Marc Belkadi. CD TAB.





Euro 14,50



Quantità
CLASSICAL THEMES FOR ELECTRIC GUITAR, 25 Solo Guitar Arrangements, Jean Marc Belkadi. CD TABLATURE

Series: Musicians Institute Press
Publisher: Musicians Institute Press
Softcover with CD - TAB
Author: Jean Marc Belkadi

This book/CD package contains 25 timeless classical themes from the Renaissance to the Romantic Era and beyond. It includes works by J.S. Bach, Bartok, Beethoven, Brahms, Chopin, Dowland, Guiliani, Handel, Haydn, Mozart, Purcell, Satie, Stravinsky, Tchaikovsky. A bio for each composer is also included and the CD features demo tracks of each piece.
48 pages



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6068 GUITAR MAGAZINE, NEOCLASSICAL. CD TABLATURE





Euro 59,00



Quantità
GUITAR MAGAZINE, NEOCLASSICAL. Mastodontici pezzi di musica classica per chitarra elettrica. CD TAB.





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2488 CLASSICAL RIFFS FOR ROCK GUITAR. WITH CASSETTE





Euro 16,00



Quantità
CLASSICAL RIFFS FOR ROCK GUITAR. Le scale diatoniche, maggiori minori, fraseggi ascendenti e discendenti, string skipping, gli arpeggi, le scale armoniche; quelle utilizzate dai chitarristi rock con influenze classiche come Malmsteen. Compreso il "preludio il do minore" di J.S. Bach. CASSETTA TABLATURE



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0199 CLASSICAL MASTERS FOR GUITARIST "PERPETUAL CAPR 24"





Euro 13,00



Quantità
CLASSICAL MASTER FOR ROCK GUITARIST, PAGANINI PERPETUAL MOTION & CAPRICCIO N.24. Paganini nacque a Genova il 27 ottobre 1782 e morì a Nizza il 27 maggio 1840. Qui trovere il "moto perpetuo" e il bellissimo "capriccio n. 24". CASSETTA TABLATURE



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0162 CLASSICAL MASTERS FOR ROCK GUITARISTS, "PRESTO" CASSETTE





Euro 18,00



Quantità
CLASSICAL MASTERS FOR ROCK GUITARISTS, "PRESTO" From Sonata No.1 In Sol Minor, (Bwv 1001, Originally For Solo Violin) J.S. BACH. Composta da J.S. Bach nel 1720 per violino, il primo movimento di questa virtuosistica "sonata n.1 in Sol minore" è qui trascritta per chitarra (elettrica o classica), insieme a una cassetta con l'integrale esecuzione a velocità normale e rallentata, e un'analisi delle parti più problematiche. CASSETTA TABLATURE



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0275 METAL GUITAR, TECHNIQUE AND STYLE, J. Tapella. CD





Euro 19,00



Quantità
METAL GUITAR, TECHNIQUE AND STYLE, J. Tapella. Esercizi di tecnica, i differenti tipi di arpeggi, il tapping, con 6 brani completi di metal neoclassico americano. CD TABLATURE



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1108 J. S. BACH FOR BASS. CD





Euro 19,00



Quantità
BACH J. S. FOR BASS. CD TABLATURE

Transcribed by Josquin Des Pres, composed by Johann Sebastian Bach (1685-1750). Bass tablature songbook and examples CD for bass guitar. Intermediate-Advanced. 48 pages. With guitar tablature and standard guitar notation.

Johann Sebastian Bach is recognized as one of the world's supremely great musicians. Known primarily as an organist and then only later recognized as a composer, Bach transformed the conventional structures of preludes and fugues. J.S. Bach for Bass will open up a whole new world of phrasing for the aspiring bassist. Selections include Prelude #1 in C Major, Suite #1 in G Major, Partita #2 in D and more. This book is written in notation and tablature. Also available in Japanese from ATN, Inc.

Contents
Sonata #3 (Allegro Assai) C Major
Suite #2 (Prelude) D Minor
Suite #2 (Courrente) D Minor
Partita #1 (Courrente) B Minor
Partita #2 (Courrente) D Minor
Prelude #1 (Moderato) C Major
Suite #1 (Prelude) G Major
Suite #3 (Courrente) C Major
Partita #3 (Bourree) E Major
Sonata #1 (Presto) G Minor











1 - 2 - 3


6574 BACH J.S., INVENTIONS, Transcriptions for 2 Four-String Electric Basses. CD-ROM TABLATURE





Euro 16,00



Quantità
BACH J.S., INVENTIONS, Transcriptions for 2 Four-String Electric Basses. CD-ROM TABLATURE

The Bach Two-Part Inventions are among the most famous of Baroque keyboard pieces. Marco Di Natale has transcribed this music for two electric basses, making a Bach to Rock connection. Included are 5 pieces: Invention No. 1 in C Major, Invention No. 2 in C minor, Invention No. 6 in E Major, Invention No. 8 in F Major, Invention No. 13 in A minor. The score also comes with a CD-ROM, allowing a bass player to listen to the pieces, and play along with either of the two parts at any tempo. The CD-ROM also may be used in a conventional CD player, with each of the two parts on a separate stereo channel. This Italian publication is fully translated, with Italian and English text. 36 pages.



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1121 CLASSICAL MASTERPIECES FOR BASS. CD





Euro 19,00



Quantità
CLASSICAL MASTERPIECES FOR BASS. Contiene 16 pezzi di musica, Mozart, gymnopedie n.1 di Erik Satie, la bourre in Mi minore e aria on Sol string, Jesu joy of man's desiring di Bach, Fur Elise e sonata al chiaro di luna di Beethoven, anche per duo di basso. CD TABLATURE



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J.S. BACH BOURRE AND GIGUE, Michael Fath. Analisi tecnica interpretativa, e lunga introduzione storica; con anche gli spartiti per violino. Per chitarra elettrica e classica. CD TABLATURE

SPARTITI PER CHITARRA OPEN TUNINGS BOTTLENECK

SPARTITI PER CHITARRA OPER TUNINGS / BOTTLENEK, ACCORDATURE APERTE

LIBRI DI MUSICA PER CHITARRA CON TABLATURE

WWW.CHITARRALAMPO.COM

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1013 ACOUSTIC SLIDE GUITAR K. WYATT, WITH CD TABLATURE





Euro 18,00



Quantità
ACOUSTIC SLIDE GUITAR. K. Wyatt. CD TABLATURE

Beyond Basics: Acoustic Slide Guitar
By Keith Wyatt
SERIES: Beyond Basics
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD
Covers choosing the right slide, open blues tuning, stylistic licks and patterns, using a capo, and the blues styles of Muddy Waters and Elmore James. Written in standard notation and tablature, this book includes 57 music examples.



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4858 BEGINNING ELECTRIC SLIDE GUITAR. KELLEY. DVD TABLATURE





Euro 24,00



Quantità
BEGINNING ELECTRIC SLIDE GUITAR. Kelley. DVD TABLATURE



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3291 ACOUSTIC GUITAR MAGAZINE PRESENTS SLIDE BASICS. CD TABLATURE





Euro 19,00



Quantità
ACOUSTIC GUITAR MAGAZINE PRESENTS SLIDE BASICS. CD TABLATURE

Le tecniche principali per lo slide blues, e per scivolare in altri generi. 9 Lezioni, 15 canzoni complete. Single string melodies, working in the thumb, open g tuning and closed position, pull-offs hammer-ons and blue notes, turnarounds and moving basslines.
Series: Guitar Educational
Publisher: String Letter Publishing
Softcover with CD - TAB
Author: David Hamburger
David Hamburger, leading sideman, solo performer and teacher, guides players through this complete introduction to bottleneck slide guitar playing with progressive lessons in open tunings and fingerstyle technique, tips on slide guitars and gear, technical exercises, and full songs. The accompanying CD features all of the music played slowly, then up to tempo. In standard notation with tablature and chord diagrams.
Bitten by the blues bug? If you have always wanted to explore the haunting sounds of acoustic slide guitar, or are looking to brush up on your bottleneck basics, this easy-to-follow, step-by-step CD lesson book will have you well on your way to mastering one of the great styles of American roots music. David Hamburger, a master teacher, sideman, and solo performer specializing in slide and Dobro, is uniquely qualified to offer you these nine progressive lessons on the fundamentals of acoustic slide guitar. 72 pages.

Contents
Lessons

GETTING STARTED :

Guitars, Slides, and Tunings
Single-String Melodies
Working in the Thumb

MOVING AROUND THE NECK :

Open-G Tuning and Closed Position
Spicing Up Your Melodies
Shuffling in D

MORE TOOLS AND TECHNIQUES :

Travis Picking
Pull-offs, Hammer-ons, and Blue Notes
Turnarounds and Moving Bass Lines

SONGS:

Cucina Blues
Steady Now
Offbeat Blues
From Twelve to Seven
Transposin' and Tumblin'
Three-Note Jump
Two-Chord Draw
The Cover-up
Better Late Than Never
Slidin' and Frettin'
Since I've Laid My Burden Down
Blue Note Special
Muddy's Blues
Muddy's Blues #2
Goin' Back to Clarksdale



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3418 FRETBOARD ROADMAPS, SLIDE GUITAR. SOKOLOW. CD TABLATURE





Euro 13,00



Quantità
FRETBOARD ROADMAPS, SLIDE GUITAR. The Essential Patterns That All the Pros Know and Use. Fred Sokolow.

Series: Guitar
Softcover with CD - TABLATURE

A must for every slide guitarist, this book/CD pack teaches how to: play lead and rhythm anywhere on the fretboard, in any key; play a variety of slide guitar styles using moveable scale patterns, common licks and slide techniques; play in open G tuning, open D tuning, open A tuning, open E tuning, and standard tuning; and more. The book features easy-to-follow diagrams and instruction for beginning to advanced players, and the CD includes 47 demonstration tracks. CD TABLATURE



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1299 BLUES DOBRO, D. Cox. CD TABLATURE





Euro 21,00



Quantità
BLUES DOBRO, D. Cox. Comodamente seduti con la chitarra distesa sulle gambe, a suonare in Lap-style, musica Blues, bluegrass, jazz, country. CD TABLATURE

Series: Guitar
Medium: Softcover with CD
Author: Doug Cox
Blues Dobro gives you proven jamming techniques for lap-style Resophonic guitar in Blues, Bluegrass, Rock and Roll, Country, and Jazz. Companion CD allows you to hear how exercises should sound.



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1339 GREAT BOTTLENECK BLUES LESSONS, Nine Powerful Excursions into Slide Guitar. TABLATURE DVD





Euro 29,00



Quantità
GREAT BOTTLENECK BLUES LESSONS, Nine Powerful Excursions into Slide Guitar. TABLATURE DVD

Great Bottleneck Blues Lessons
Nine Powerful Excursions into Slide Guitar
Series: Instructional/Guitar/DVD
Publisher: Homespun
Format: DVD - TAB
Artist: Various

Taught by Keb' Mo', Mike Dowling, Hans Theessink, Roy Book Binder, Bob Brozman, Catfish Keith, John Hammond, Rory Block and Steve James

Some of today's greatest proponents of traditional bottleneck/slide guitar playing teach the soulful sounds that started in the Mississippi Delta and forever changed the world's musical landscape. Songs: Sitting on Top of the World - Rollin' and Tumblin' - She Did You a Favor - Bye and Bye I'm Going to See the King - Henry - Ramblin' on My Mind - The Cuckoo - Drop Down Mama - Hot Time in the Old Town Tonight. LEVEL 3 - INCLUDES MUSIC + TABLATURE - 115 MIN.

Inventory #HL 00642091
ISBN: 9781597732635
UPC: 884088362027
Publisher Code: DVDGSGSG21
Width: 5.25"
Length: 7.5"
Run Time: 1:55:00

Some of today's greatest proponents of traditional bottleneck/slide Guitar playing teach the soulful sounds that started in the Mississippi Delta and forever changed the world's musical landscape.
The powerful lessons on this DVD, compiled from the Homespun archives, represent Guitar instruction at its very best. Each segment, taught by a legendary master of blues/slide technique, has been chosen to give you a slightly different application of the use of the bottleneck to create distinct and memorable arrangements for your songs. These veteran performers communicate their unique style and musical vision to allow you to become a more confident and proficient guitarist.
Includes tuition material from:

Keb' Mo'
Mike Dowling
Hans Theessink
Roy Book Binder
Bob Brozman
Catfish Keith
John Hammond
Rory Block
Steve James



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1014 BROZMAN, BOTTLENECK BLUES GUITAR CD TABLATURE





Euro 19,95



Quantità
BOTTLENECK BLUES GUITAR, BOB BROZMAN. CD TABLATURE

Acoustic Masters Series: Bob Brozman's Bottleneck Blues Guitar
By Bob Brozman
SERIES: Acoustic Masters Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Topics covered include: turnarounds, bottleneck techniques, blue notes, open G tuning, right-hand techniques, blues licks and phrases, authentic blues rhythms, harmonics, and more. Includes complete transcriptions of "Terraplane Blues," "Moon Goin' Down," and "Rhythm in the Blues."



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1298 BOTTLENECKING BLUES & BEYOND. Seth Austen. CD TABLATURE





Euro 21,00



Quantità
BOTTLENECKING BLUES & BEYOND. Seth Austen. Taglienti blues per dobro e collo di bottiglia, anche Hawaiian, Gospel, etnica. CD TABLATURE

This collection of fingerstyle slide guitar solos uses both traditional pieces and original compositions to demonstrate diverse bottleneck styles from country blues to Hawaiian slack-key, waltzes, and more. Contains pieces in common open D and G tunings, along with less common tunings. Notation and tablature.



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3148 DOBRO WORKBOOK, D. HAMBURGER. CD TABLATURE





Euro 22,00



Quantità
DOBRO WORKBOOK, D. HAMBURGER. 98 Esempi per lap-style, slide, fotografie di tecnica.

Teaches licks, techniques and improvisation for lap-style resophonic slide guitar. Covers: scales, licks, songs and examples; hammer-ons, pull-offs, slides, picking techniques; syncopations, rolls, double stops, playing in different keys; and more. The book is in standard notation and tab, and the CD features 98 full-demo tracks. 80 pages. CD TAB.



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3116 ELECTRIC SLIDE GUITAR, K. WAYTT. CD TABLATURE





Euro 16,00



Quantità
ELECTRIC SLIDE GUITAR, K. Waytt. CD TABLATURE

Beyond Basics: Electric Slide Guitar
By Keith Wyatt
SERIES: Beyond Basics
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD
Topics covered include choosing the right slide, open "blues" tunings, stylistic licks and patterns, standard tuning techniques and more. The book contains a full-color photo section showing all types of slides, and it includes 32 music examples in standard notation and tablature.
















1015 ELECTRIC SLIDE GUITAR. HAMBURGER. CD TABLATURE





Euro 20,99



Quantità
ELECTRIC SLIDE GUITAR. Hamburger.

LIBRO DI MUSICA PER CHITARRA SLIDE CON CD E TABLATURE

This book/audio method explores the basic fundamentals of slide guitar: from selecting a slide and proper setup of the guitar, to open and standard tuning. Plenty of music examples are presented showing sample licks as well as backup/rhythm slide work. Each section also examines techniques and solos in the style of the best slide guitarists, including Duane Allman, Dave Hole, Ry Cooder, Bonnie Raitt, Muddy Waters, Johnny Winter and Elmore James. CD TABLATURE

Series: Guitar Educational
Softcover with CD - TAB
Author: David Hamburger

This book/audio method explores the basic fundamentals of slide guitar: from selecting a slide and proper setup of the guitar, to open and standard tuning. Plenty of music examples are presented showing sample licks as well as backup/rhythm slide work. Each section also examines techniques and solos in the style of the best slide guitarists, including Duane Allman, Dave Hole, Ry Cooder, Bonnie Raitt, Muddy Waters, Johnny Winter and Elmore James. 80 pages



INTRODUCTION
The aim of this book is to present you with the essential techniques required to play electric
slide guitar, while providing a hands-on understanding of the variety of slide styles that exist within
the blues idiom. The book begins with the open G tuning, proceeds to open E tuning, and concludes
with playing in standard tuning. While there is material at a variety of levels throughout the book,
important matters of technique are introduced chapter by chapter. E tuning is not "harder" than G tuning,
or vice versa, but as the chapters on open E tuning come later in the book, that is the point at
which more advanced techniques are discussed, whereas basics of right and left hand technique are
covered in the earlier chapters on G tuning.
A Note About the Tunings
There are four tunings that are considered standard for the electric slide guitar: open G, open
D, open A, and open E. Open G and open A offer essentially the same sound as one another, a whole
step apart (open G= D, G, D, G, B, D; open A= E, A, E, A, C#, E, low to high). Open D and open E
likewise offer essentially the same sound as one another, a whole step apart (open D= D, A, D, F#, A,
D, open E= E, B, E, G#, B, E, low to high). For this book, I have chosen to present all of the examples
(except for those in standard tuning) in either open G or open E tuning, rather than distinguish
between various artists' use of G or A tuning, and D or E tuning. I have done this for two reasons. The
first is to enable you to compare examples from different styles of playing within a given chapter
quickly and easily, without having to retune or capo by a whole step, or transpose in your head. The
second reason is that G and E tunings share some familiar fret positions and bar chord locations with
standard tuning. This makes orientation to each of these open tunings a little easier. More importantly,
it makes it much easier to translate what you have learned in open tunings back into standard tuning,
should you wish to play without t::hanging to an open tuning-for instance, if you use a slide for just
part of a song.
Electric slide guitar is at the heart of electric blues, from the pioneering postwar recordings of
Muddy Waters and Elmore James to the blues-rock of Duane Allman, Johnny Winter and Lowell
George, from timeless, genre-busting originals like Earl Hooker and Ry Cooder to contemporary
artists like Bonnie Raitt, Roy Rodgers and Dave Hole. The diversity among slide players is remarkable.
Far from being limited to the generic sound stereotyped in every bar band's version of "Dust My
Broom," the world of electric slide guitar is as broad, deep, and eclectic as the blues itself.


CONTENTS
Introduction

Chapter 1 Slide Essentials
Choosing a Slide .
Guitar Set-Up .
Left Hand Damping .
Left Hand Exercises .
Right Hand Muting .
Fingerstyle .
Right Hand Exercises .
More Right Hand Practice .
Playing with a Pick .
Vibrato .

Chapter 2 Open G TIming
Tuning Up .
The Fretboard in Open G Tuning .
Scales .
Damping/Muting Exercises on One String .
Major and Minor Pentatonic Licks .
Call and Response .
Combining Major and Minor Pentatonic Scales .
The Blues Form .

Chapter 3 Improvising in Closed Position
Closed Position Scales in G .
Precision Exercises .
Blues Vocabulary .
Transposing: Blues in G .
Combining Open and Closed Positions, ala Muddy Waters .
The Upper Extension: Adding Notes above the 12th Fret .
Transposing the Upper Extension: Blues in C .
The Dorian Mode

Chapter 4 Backup in Open G
The Style of Muddy Waters .
Changing Keys-Using a Capo .
The Style of Bonnie Raitt .
The Style of Ry Cooder .
The Style of Johnny Winter .
The Style of Dave Hole .

Chapter 5 Open E TIming
Tuning Up .
The Fretboard in Open E Tuning .
Scales .
Exercises .
The Style of Ry Cooder .
The Style of Johnny Winter .

Chapter 6 Broom Dusters, House Rockers, and the Closed Position
Scales .
The Style of Elmore James .
The Style of Hound Dog Taylor .
The Style of Duane Allman .
Pulldowns, Escape Notes, and Gradual Slides .
Duane's World .
High Energy Blues/Rock: the Styles of Johnny Winter and Dave Hole

Chapter 7 Backup in Open E
The Style of Elmore James-Elmore's Shuffle .
The Style of Hound Dog Taylor .
The Style of Ry Cooder .
Beyond the Key of E .
Stop Time Boogie .
Double Stops .

Chapter 8 Standard TIming
Translating Open G Tuning to Standard Tuning .
Translating Open E Tuning to Standard Tuning .
Standard Tuning .
Adapting Classic Open Tuning Licks to Standard Tuning .
Combining the Open and Closed Positions in Standard Tuning .
The Style of Robert Nighthawk .
The Style of Earl Hooker .
Standard Tuning Licks .

Chapter 9 What to Do Next .
A Selected Discography
About the Author .
Notation Legend .



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3643 FAST FORWARD, SLIDE GUITAR. CD TABLATURE





Euro 20,50



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FAST FORWARD, SLIDE GUITAR. CD TABLATURE



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1016 LEARN TO PLAY BOTTLENECK GUITAR. Fred Sokolow. WITH CD TABLATURE





Euro 20,00



Quantità
LEARN TO PLAY BOTTLENECK GUITAR. Fred Sokolow. CD TABLATURE

LIBRO DI MUSICA PER CHITARRA CON CD E TABLATURE

A popular and easy to understand book which teaches and explores the many aspects of bottleneck/slide guitar techniques developed nearly a century ago and made famous through the recordings of legendary blues greats like Robert Johnson, Mississippi Fred McDowell and Muddy Waters. Much of the book is dedicated to teaching you how to use these assorted techniques to make original improvised solos. You will learn to play bottleneck guitar in open D tuning, open E tuning, open A tuning, and standard tuning. Written in notation and tablature.



In blues, rock, or country, the gutsy, gritty whine of a slide guitar brings any piece of
music down to earth; it has an unmistakably down-home, "back-to-the-roots" flavor. That's
because slide guitarists today use techniques developed nearly a century ago in the
Mississippi Delta and popularized by the recordings of legendary blues greats like Robert
Johnson, Mississippi Fred McDowell and Muddy Waters.
To play acoustic or electric bottleneck, whether the context is Southern rock, Chicago
blues, country, or heavy metal, you need to look to this source and study the techniques and
sound of the old Delta blues masters.
In this book, you'll learn many of those techniques and how to use them to make up your
own solos. The emphasis is on improvisation. You'll learn back-up and lead styles in several
open tunings and standard tuning, and how to express a melody in bottleneck style. Along
the way you'll pick up lots of wonderfullicks-of-the-masters that will give your playing that
"back-to-the-roots" sound.
P.S.: The recording that accompanies this book is an invaluable teaching aid. All the
written solo and slide techniques discussed in the book are played just as written. Listen
before, during, and after reading the music and/or tablature.


Guitars & Strings
You can play slide on any guitar (acoustic or electric, steel or nylon strings), but most
of the old blues players used steel-string acoustic guitars (6 or 12 strings). Many of them
favored the metal-body National with its loud volume and sustain.
Heavy-gauge strings and "high action" make bottleneck playing easier (though they
make normal fretting more difficult). "Action" is the height of the strings from the fretboard.
It's adjustable on many electric guitars. Consult your local music store to see if your guitar's
action can be raised (sometimes this is an easy bridge modification) or if your guitar can
stand heavy-gauge strings.
Bottlenecks & Slides
Many of the original slide players used a broken glass bottleneck, a jackknife, or a
sawed-off piece of metal tubing as a slide. Today you can buy a variety of shapes and sizes
of glass and metal slides, as well as carefully smoothed glass bottlenecks. Here are a
few guidelines:
• Slides versus bottlenecks: Most glass bottlenecks (cut from a real bottle) are slightly
curved. This is helpful if your fingerboard is also curved. If it's perfectly straight, a
straight slide will be easier to use.
• Glass versus metal: This is strictly a matter of personal choice, so try both types on your
guitar to see which you prefer for feel and sound.
• Long versus short: Some slides cover most of your finger and span all 6 (or 12) guitar
strings; others, intended for a more precise single-string playing style, cover only 1 or 2
strings. To begin withthe basics, get a long slide. You'll need itto play 5- or6-string chords.
• Fat versus skinny: Most players wear the slide on their pinkies or ring fingers; this frees
the rest of the left hand for playing chords. Find a slide that fits comfortably on your pinky.



LISTENING GUIDE
If you've learned the material in this book/CD set, you have a strong foundation in slide
playing. The next step is twofold:
1. Listen to the masters (recorded or live) and try to imitate what you hear.
2. Make up your own licks, accompaniment, and solos based on the ideas you've
learned.
Learning from Recorded Music
There's a lot to be gained by watching a live performer that records can't duplicate. Go
to live performances by slide players whenever possible, or watch them on TV; more and
more music videos are becoming available. In the meantime, listen to slide guitar
recordings. First, listen for the pleasure of listening and to get acquainted with the styles of
the great players. It's fun and amazing to discoverthe moods and sounds ofthe best players,
past and present. Be sure your listening includes:
Tampa Red
Son House
Robert Nighthawk
Duane Allman
Johnny Winter
George Harrison
Acoustic Players
Robert Johnson Blind Willie Johnson
Bukka White Kokomo Arnold
Electric Players
Earl Hooker Muddy Waters
Ron Wood Joe Walsh
Ry Cooder David Lindley
Fred McDowell
Charley Patton
Elmore James
Eric Clapton
Bonnie Raitt
Next comes listening analytically, with guitar in hand, learning licks and tunes from
recordings. Here are a few pointers:
• Find the tuning: Unless there's a lot of fancy chording, assume that the guitar is in an open
tuning (especially with the acoustic players). Start with your guitar in open G. Find the key
of the song you're analyzing. It's usually the chord that begins and ends every chorus; but,
if your song is the exception to that rule, it's the chord that "resolves" the tune, the chord
that makes the tune feel "finished." This will not be a problem with many of the old-time
players who stayed on one chord throughout a whole tune!
Once you feel sure you can hearthe "tonic" chord (the "key" chord), try to rnatch your open
G chord to it; if it doesn't match, barre across all 6 strings with your index finger and try
to match the G#, A, Bb, B, C, or C# (going up 1 fret at a time to the 6th fret) to that tonic
chord. If one of these matches, place a capo where your barring index finger was and you
are ready to play along with the record. (Consult the capo chart in this book to determine
what key you're in.)
If none of your barred chords matched the recording, retune your guitar to open 0 tuning
and repeat the same process. Eventually you will find the key and be set up to play with
the record.


Contents:

Introduction

How To Read Tablature
Equipment
Guitars & Strings
Bottlenecks & Slides
Picks
Open D Tuning
"String-to-String" Tuning
Tuning Down form Standard Tuning
Sliding on the Strings-Preliminaries
Barred Chords
Fretted Chords
Boogie-bass Accompaniment
The D Major Scale
Higher D Major Scale
Emphasizing Open-String Notes
Lower D Major Scale
Turnarounds
The 12th Fret D Major Scale

Open E Tuning
Tuning Up From Standard Tuning
It's the Same as D Tuning

Open G Tuning
"String-to-String" Tuning
Tuning Down form Standard Tuning
Barred Chords
I-IV-V Relationships
Similarities Between D and G Tunings
The G Major Scale
Emphasizing "Open-String" Notes
A Lower G Major Scale
The 12th Fret G Major Scale

Open A Tuning
Tuning Up from Standard Tuning
It's the Same as G Tuning
7th Chords

Slide In Standard Tuning
"String-to-String" Tuning
Playing in the Key of E
E Chord Positions
A Chord Positions
B Chord Positions
9th chord licks
Slide in the Key of A

Play in Any Key You Like - Using a Capo
Conclusion and Listening Guide
Learning From Recorded Music



If you've learned the material in this book/CD set, you have a strong foundation in slide
playing. The next step is twofold:
1. Listen to the masters (recorded or live) and try to imitate what you hear.
2. Make up your own licks, accompaniment, and solos based on the ideas you've
learned.

Learning from Recorded Music
There's a lot to be gained by watching a live performer that records can't duplicate. Go
to live performances by slide players whenever possible, or watch them on TV; more and
more music videos are becoming available. In the meantime, listen to slide guitar
recordings. First, listen for the pleasure of listening and to get acquainted with the styles of
the great players. It's fun and amazing to discoverthe moods and sounds ofthe best players,
past and present. Be sure your listening includes:
Tampa Red
Son House
Robert Nighthawk
Duane Allman
Johnny Winter
George Harrison
Acoustic Players
Robert Johnson Blind Willie Johnson
Bukka White Kokomo Arnold
Electric Players
Earl Hooker Muddy Waters
Ron Wood Joe Walsh
Ry Cooder David Lindley
Fred McDowell
Charley Patton
Elmore James
Eric Clapton
Bonnie Raitt
Next comes listening analytically, with guitar in hand, learning licks and tunes from
recordings. Here are a few pointers:

- Find the tuning: Unless there's a lot of fancy chording, assume that the guitar is in an open
tuning (especially with the acoustic players). Start with your guitar in open G. Find the key
of the song you're analyzing. It's usually the chord that begins and ends every chorus; but,
if your song is the exception to that rule, it's the chord that "resolves" the tune, the chord
that makes the tune feel "finished." This will not be a problem with many of the old-time
players who stayed on one chord throughout a whole tune!
Once you feel sure you can hearthe "tonic" chord (the "key" chord), try to match your open
G chord to it; if it doesn't match, barre across all 6 strings with your index finger and try
to match the G#, A, Bb, B, C, or C# (going up 1 fret at a time to the 6th fret) to that tonic
chord. If one of these matches, place a capo where your barring index finger was and you
are ready to play along with the record. (Consult the capo chart in this book to determine
what key you're in.)
If none of your barred chords matched the recording, retune your guitar to open 0 tuning
and repeat the same process. Eventually you will find the key and be set up to play with
the record.



Disponibilità:








3960 OPEN TUNINGS FOR BLUES GUITAR, INSIDE THE BLUES. CD TABLATURE





Euro 19,00



Quantità
OPEN TUNINGS FOR BLUES GUITAR, INSIDE THE BLUES. CD TABLATURE

Series: Guitar Educational
Softcover with CD - TAB
Author: Dave Rubin

Open tunings have played an important role in the genesis of blues guitar since the early 1900s. This book/CD pack is solely devoted to providing you with a complete overview of the techniques and styles popularized by the greatest bluesmen of all time. Includes note-for-note transcriptions, performance notes, and full-band CD demonstration for 9 classic songs; Also includes historical analysis and rare photos. 80 pages.

Table of contents:
Boogie Chillen No. 2
Cherry Ball Blues
Doing My Thing
Drunken Hearted Man
I Can't Be Satisfied
It Hurts Me Too
Life Saver Blues
Phonograph Blues
Statesboro Blues



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3050 SLIDE GUITAR TRADITIONAL, COUNTRY, AND ELECTRIC. ARLEN ROTH. LIBRO CD TABLATURE





Euro 30,99



Quantità
SLIDE GUITAR TRADITIONAL, COUNTRY, AND ELECTRIC. A. ROTH. Esercizi, riff, e 16 canzoni di: Ry Cooder, Allman, Robert Johnson. CD TABLATURE

Foreword
Over the past few years, the bottleneck guitar has become an increasingly popular
means of expression among guitarists everywhere. In the rock and pop music fields
some of the bottleneck's exponents have included Johnny Winter, Mick Taylor, Keith
Richard, Duane Allman, George Harrison, Ry Cooder and many others. These people
have all broadened the scope of the bottleneck guitar, but they owe a great deal to
the true pioneers of this style of playing-Robert Johnson, Son House, Bukka White,
Tampa Red, Fred McDowell, J. B. Hutto, and Elmore James, to name a few.
Son House, Robert Johnson, and Bukka White, were all of the traditional Southern
folk-blues school of the slide guitar. This era reached its height during the 1920's
and the depression years. Later on, in the 40's and 50's, country people from the
rural south began to move to the northern cities. Guitarists with their roots in the
country blues soon discovered the electric guitar, and began to play with musical
back-up musicians like bass and drums for a bigger, more "urbanized" sound.
In this book, we will cover all aspects of the bottleneck guitar, past and present,
from the low-down bottleneck styles of the Mississippi Delta, to the present day lead
guitar sounds.
To enable you to better understand these sounds, I have included an instructional
compact disc. All the material on the recording is transcribed in the book to make it
easier for you to follow along with what is being played.
Though the bulk of the material in this book will make use of open tunings, we'll
get into some licks for playing slide in standard guitar tuning as well. There are
plenty of blues licks, country licks and songs to work with, and feel free to improvise
upon any of the musical ideas. After all, that's what this book, and music in general,
is about.
By the time you've covered all the material, and feel really comfortable playing
bottleneck, you should be well on your way towards developing your own approach
towards the art of slide guitar. I certainly hope that you get a lot of mileage out of
this book, but most of all, I hope you enjoy it, because it certainly was a pleasure for
me to write. Arlen Roth

Contents
Photo Credits,
Foreword,
Reading Tablature and Symbols,
Fundamentals of Slide Guitar Playing,
Open Tunings,
Traditional Slide Guitar,
Playing in Open E Tuning,
Licks and Exercises in Open E Tuning,
Playing in Open G Tuning,
Licks and Exercises in Open G Tuning,
Traditional Bottleneck Tunes In Open E Tuning,
Good Morning Blues,
Ramblin . On My Mind,
If I Had Possession Over Judgement Day,
Preachin' Blues,
Come On In My Kitchen,
Denver Blues,
Bumblebee Blues,
Country Slide Guitar,
Playing In Open E Tuning,
Licks and Exercises in Open E Tuning,
Country Bottleneck Tunes in Open E Tuning,
John Henry,
Bury Me Beneath The Willow,
Farther Along,
Will The Circle Be Unbroken?,
Playing in Open A(G) Tuning,
Licks and Exercises in Open A(G) Tuning,
Country Bottleneck Tunes in Open A(G) Tuning,
Brown's Ferry Blues,
Danville Gal,
How Can You Keep On Movin',
Lead Electric Slide Guitar,
Dust My Broom,
Licks and Exercises in Open E Tuning,
Love In Vain,
Slide Guitar In Standard Tuning,
Licks and Exercises in Standard Tuning,
In Conclusion,
Discography,


Arlen Roth was born in New York City In 1952. He started
to play guitar seriously at the age of eleven, beginning
with classical guitar and moving on to blues and rock
styles. His love for country and blues guitar and his
innovative experimentation within these styles led to the
writing of Slide Guitar.
Arlen has performed and recorded with many well-known
artists such as Simon and Garfunkel, Paul Simon (solo),
Art Garfunkel (solo), Phoebe Snow, Bob Dylan, Louden
Wainwright III, Janis lan, and Dan Hill, to name a few.
He has recorded four highly acclaimed solo albums,
Guitarist, Hot Pickups, Paint Job, and Lonely Street, and
writes a monthly column for Guitar Player magazine. He
is the founder and producer of the well-known Hot Licks
Video and Audio Instruction Tapes, and his other books
include Nashville Guitar, How To Play Blues Guitar,
Arlen Roth's Complete Electric Guitar, and Arlen Roth's
Complete Acoustic Guitar, Arlen played all the guitar
and was special coach and consultant to actor Ralph
Macchio in the film Crossroads. Arlen lives in upstate
New York with his wife Deborah, and their little girl, Gillian.




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2334 SLIDE, GUITAR TECHNIQUE BUILDER SERIES, CD TABLATURE





Euro 15,50



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SLIDE, GUITAR TECHNIQUE BUILDER SERIES. CD TABLATURE



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1018 THE ROOTS OF SLIDE GUITAR. Fred Sokolow. CD TABLATURE





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THE ROOTS OF SLIDE GUITAR. Fred Sokolow. Metodo per suonare e cantare il blues con 3 titoli acustici e 2 elettrici.

THE SONGS AND LICKS THAT MADE IT HAPPEN
A SURVEY OF SLIDE GUITAR, ITS PIONEERS, AND HOW IT DEVELOPED



This book/CD pack is a complete survey of slide guitar, its pioneers, and how it developed. It includes: 6 note-for-note transcriptions of famous slide tunes :

-Come On in My Kitchen (Robert Johnson)

-Motherless Children (Mance Lipscomb)

-Roll and Tumble Blues ("Hambone" Willie Newbern)

-You Can't Lose What You Ain't Never Had (Muddy Waters)

-You Gotta Move ("Mississippi" Fred McDowell)

-You Shook Me (Earl Hooker with Muddy Waters);

instruction in the essential playing styles; the history and the development of slide guitar; biographies of its representative artists; and recordings on CD of the songs, exercises and licks.


You gotta move -come on in my kitchen -motherless children -roll and tumble blues -you can't lose what you ain't never had -you shook me. CD TABLATURE



HOW TO USE THIS BOOK AND RECORDING
It swoops, wails, whines, moans and growls: slide guitar sings. It's a crowd pleaser, and it reaches people because it conveys naked emotion-especially when playing the blues. And most slide guitar heard today, whether in a blues, rock or country song, is played in a style derived from early Mississippi Delta blues.
Modern blues and rock slide guitar evolved from traditional acoustic styles. This book is about the guitarists who made that evolution happen. It takes you to the roots of slide guitar. Each of the six classic blues tunes transcribed here demonstrates a particular style and tuning. Every song is preceded
by information, exercises, scales, licks and chords that are needed for that style.
Timing is such a major part of slide guitar that it's almost impossible to learn from the printed page alone. Listen to the recording that comes with this book before playing a note. Once you know how a tune sounds, then it's time to check out the tablature and/or music notation.
If you want to learn any style of music, it helps to imitate the masters. Whether you're a beginner or an experienced player who wants to get back to the roots, here is the essential guitar stuff. This is an introduction to and an appreciation of great vintage music, and it's a foundation on which you can build your own style.

." Fred Sokolow
All guitars and vocals on the recording that comes with this book are by Fred Sokolow. Bass, drums, piano and horns are by Dennis O'Hanlon, and it was recorded at O'Hanlon Recording.



MUSICAL INTRODUCTION

A LOOK AT THE ROOTS OF SLIDE GUITAR
Most musical historians trace slide guitar to Hawaii, but Johnny Shines, friend and accompanist of Robert Johnson, is one of many who claim that blues-style slide developed in Africa, along with open-chord tunings. The first literary mention of blues slide was W. C. Handy's famous 1903 sighting of a singer at a Mississippi train depot who used a knife to slide on his guitar strings. Like most Mississippi blues players, he made his guitar sing and mimic his voice.
Early players slid on the strings with pocket knives or beef bones, and some held the guitar on their lap, Hawaiian-style, but by the 1930s, most blues players held the guitar upright and used a brakenoff bottleneck or a sawed-off length of pipe for a slide. This was a major stylistic development, because if you hold a knife in your left hand, it's impossible to fret the strings with your fingers; fitting a slide on the ring finger or little finger frees up two or three fretting fingers. Most slide players tuned the guitar to a major chord, usually 0, E, G or A, and used the slide to play major chords, as well as individual notes.
There was a blues craze in the 1920s, and by the middle of that decade, major labels began recording blues guitarist/singers. The first crap of slide players who recorded included Sylvester Weaver, Barbecue Bob, Hambone Willie Newbern and Sam Butler. Following them were the Mississippi bluesmen Son House, Charlie Patton, Bukka White, Kokomo Arnold, Sam Collins and Robert Johnson. They played a raw, very rhythmic, emotional style of blues and sang and wailed with passionate intensity. Texans Blind Willie Johnson and B. K. Turner (the Black Ace) were influential early slide blues players, as were Tampa Red and Furry Lewis, who boasted a polished, gentler slide style.

THE COUNTRY CONNECTION
Hawaiian guitarists developed a lap style of playing: the guitar lies in your lap, strings facing up, and you hold a steel bar down on the fretboard. This technique migrated to the mainland and, in the 1920s, with the help of Cliff Carlisle, Jimmie Tarlton and slide players who accompanied Jimmie Rodgers, it became an essential part of country music. By the '30s, Hawaiian and country pickers began using electric, fretless "lap steels." These evolved over the years: they grew legs, more strings, twin and triple necks (in different tunings), and foot pedals and knee levers to bend notes while playing.
Thus was born the pedal steel guitar that is now a signature country sound. But country pedal steel and lap steel bear little stylistic resemblance to blues or rack slide playing.
In the early '50s, the acoustic lap style slide guitar (see Dobro picture, below) began appearing in bluegrass bands. The wooden, acoustic whine of the Dobra is also heard in contemporary country music. Usually played in a bluesy style in open tunings, country Dobra is more related to bottleneck guitar than is its cousin, the pedal steel.
All-metal Dobro
Wooden-bodied squaredneck Dobro


BLUES SLIDE PLAYERS PLUG IN
Before instruments were amplified, it was hard for a guitarist to be heard over a piano, horn or even a banjo. In the late '20s, the National Company answered this need by making all-metal guitars, fitted inside with convex aluminum resonators, like speaker cones. Sounds crazy, but it worked: the guitars were louder, with more sustain, and they rapidly became popular with jazz, country and blues players. Lap style players used the square-necked models with a nut that lifted the strings high off the fretboard (better for the metal slide), but bottleneckers favored the round-necked National that could be played like a normal guitar. To this day, the all-metal National and its cousin, the Dobro, are favored by many an acoustic slidester. The Dobro company also makes a wooden, square-neck guitar with a metal resonator fitted into its body (it looks like someone stuck a hub cap over a guitar's soundhole) that bluegrass players use.
However, even the National or Dobro could not cut through drums, saxophones and electric guitars. By the mid-'40s, many Mississippi players had relocated in Chicago, and a new kind of blues was brewing. Elmore James and Muddy Waters led full electric bands, playing screaming, amplified slide.
It was loud and distorted, and single-note solos became the norm-with a whole band for backup, a guitarist didn't need to fingerpick or play chords. You could wail with one note, like a sax or trumpet.
Waters' and James' styles were clearly rooted in the Delta, and so was the playing of electric slide pioneers J. B. Hutto and Hound Dog Taylor. But Robert Nighthawk and Earl Hooker began playing electric, single-note style in standard tuning, which was a new direction for bottleneckers.

THE '60S BLUES REVIVAL AND BEYOND
During the '60s, white blues fans, many of whom had learned to play by studying old blues records, sought out the first-generation blues artists. Legendary players whose careers had petered out were rediscovered and brought into the limelight, and many excellent artists who had never played outside their own county recorded and performed all over the world. Folk festivals, concerts and coffee houses featured acoustic and electric blues.
American and European audiences loved the aging but passionate blues legends, and by the mid· '60s a blues revival was in full swing on both continents. Besides giving players like Muddy Waters and Howlin' Wolf a bigger audience, the revival encouraged young players to form new blues bands, and to use blues techniques in rock and pop bands. After playing with John Mayall's blues band, enthusiastic blues disciple Eric Clapton brought blues guitar skills to his rock and pop bands (Cream, Derek and the Dominoes, Bonnie and Delaney). While still playing with the Butterfield Blues Band, guitarist Mike Bloomfield backed up Bob Dylan on one of his first electric albums. And slidemaster Duane Allman used his blues chops with the Allman Brothers Band and, as a studio player, infused all kinds of pop recordings with the blues.
In the '70s and '80s, pop audiences were introduced to slide sounds by Johnny Winter, George Thorogood, Eric Clapton, Duane Allman, George (post-Beatles) Harrison, Bonnie Raitt, Little Feat's Lowell George, Ry Cooder, David Lindley and the Rolling Stones. Many Southern rock bands had slide guitarists, and they influenced a new crop of country stars who, in the '90s, used slide on Nashville hits. Slide is heard more and more in movie and television soundtracks. Fortunately, as its audience grows, slide guitar has retained its down home character.



MUDDY WATERS
Often called the "father of electric blues," Muddy Waters was the leading force in the post-war
Chicago blues scene and an important figure in the development of rock and roll. The roster of players who learned their craft playing in his band reads like a "who's who" of blues legends: Little
Walter, Junior Wells, Otis Spann, James Cotton and Jimmy Rogers are just a few. While T-Bone
Walker and B.B. King, with their big-band sound, urbanized and streamlined the blues, Waters
brought it back to its funky Delta roots with a small but powerful band whose lineup (two guitars,
piano, harp, bass and drums) would evolve to become the typical rock band format.
Born McKinley Morganfield of sharecropper parents in Rolling Fork on the Mississippi Delta, April 4, 1915, Muddy Waters built his own guitar when he was seventeen. Robert Johnson and Son House
were his main influences; he watched Son House in action when House came to Clarksdale,
Mississippi. House taught him riffs, open tunings and songs, and showed him how to break off and
flame-smooth a bottleneck.
In '41, folklorists Alan Lomax and John Work came to Clarksdale and recorded Waters for the
Library of Congress. In '43, ready for bigger things, Waters moved to Chicago. Though his style of
choice was rough and old-fashioned compared to the reigning blues artists like Tampa Red and
Lonnie Johnson, (of whom he could do a simple imitation) Big Bill Broonzy helped Waters get his
start playing in clubs. In '44, his uncle gave him his first electric guitar, and by the following year he
had teamed up with guitarist Jimmy Rogers. In the next few years, he started to develop his electric
sound and began recording for the Chess brothers.
In 1950, with the release of "Rollin' Stone," (backed with a Robert Johnson-derived version of
'Walking Blues"*), Waters' career was in high gear. In the next several years he had a series of
regional and national R&B hits. He was Chicago's reigning king of the blues, working every night, his style imitated by other bands, and even some of his sidemen had hit records! He recorded blues
classics like "Hoochie Coochie Man," "Honey Bee" and "I Just Want To Make Love To You."
In the mid-'50s, when rock and roll came roaring onto the charts, Waters' record sales dwindled. Still, he held his Chicago fans and his legend grew. In '58 he played in England and then was a hit at
Carnegie Hall and the Newport Jazz Festival. The early '60s British invasion brought him wider
recognition, as the Rolling Stones (who took their name from the Waters tune), John Mayall, the
Beatles and others sang his praises ... and his songs! In the blues revival that ensued, Waters was
acknowledged as the founding father by the British and by American guitar heroes like Mike
Bloomfield, Steve Miller, Johnny Winter and Jimi Hendrix. He played festivals, college concerts and clubs, was filmed for television in England and the U.S., did world tours, starred at the Montreaux Festival, and played stadiums and arenas.
In the late '70s and early '80s, Waters won three Grammys, played for the White House Staff Party,
appeared in the movie The Last Waltz, and toured with Eric Clapton. On April 30, 1983, he died
peacefully in his sleep at his suburban Chicago home.
78 and 45 rpm singles had an "A side" (the featured tune) and, when you flipped them over, a "6 side," or backup song.



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6654 SLIDE GUITAR Know the Players, Play the Music. Pete Madsen. 168 Pagine. CD TABLATURE





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SLIDE GUITAR Know the Players, Play the Music. Pete Madsen. 168 Pagine. CD TABLATURE

Series: Book
Publisher: Backbeat Books
Medium: Hardcover with CD
Author: Pete Madsen

Another entry in the Fretmaster series, this book teaches you both the history and technique of slide guitar's masters, such as Brian Jones, Lowell George, Bonnie Raitt, and Robert Johnson. While exploring their musical lives and legacy, Slide Guitar provides lessons that give you the skills and encouragement you need to emulate these musical heroes. The accompanying CD offers specially recorded backing tracks in blues, folk, country, and rock, allowing you to play along in your favorite style and explore new sounds. Hardcover, spiral-bound. 168 pages