ERANO GELATAI I NONNI ITALIANI DEL PADRE DELL'HARD ROCK "IOMMI'S ICES" BLACK SABBATH.
E in inverno venditore di caldarroste.
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RIMINI
IL NONNO DEL NONNO DEL METAL .
Inviato da Chitarra Lampo il Mer, 2010-09-15 17:05
i genitori del padre di Tony Iommi erano emigrati dalla provincia di Frosinone verso l'Inghilterra.
La mamma di Tony, Maria Valenti era nata a Palermo.
Riguardo alla occupazione dei nonni italiani, e poi dei genitori, del chitarrista dei Black Sabbath, Francis Anthony "Tony" Iommi (nato il 19 Febbraio 1948 a ASTON, BIRMINGHAM, Inghilterra:
"Nearby in Banbury Street, Frank Iommi made ice-cream and sold it from his house in Buck Street; while Clement Albericci had a small factory, where he “made barrel organs for the Italians and also retuned them and remarked them”. By 1919, Birmingham’s Italian community was concentrated in two streets: Duddeston Row and Bartholomew Street, close to the modern Millennium Point."
"Nelle vicinanze, in Banbury Street, Frank Iommi faceva gelati e li vendeva nella sua casa in Buck Street; mentre Clement Albericci aveva una piccola fabbrica, dove egli "produceva organetti per italiani e anche li restaurava": Dal 1919, la comunità degli italiani di Birmingham era concentrata in 2 strade: Duddeston Row e Bartholomew Street, vicine all'odieno moderno Millennium Point."
http://www.anglo-italianfhs.org.uk/articles/wolverhamptonarticles2.pdf
The son of Italian immigrants,Tony Iommi picked up the guitar as a teenager, after being inspired by the likes of Hank Marvin and The Shadows. He plays guitar left-handed. In an industrial accident at the age of 17 on his last day of work in a sheet metal factory, he lost the tips of the middle and ring finger of his right hand. Iommi considered abandoning music, but his boss (who knew of Iommi's "night job" as a pub band guitar player) encouraged him to reconsider by playing a record by jazz guitarist Django Reinhardt, who earned wide acclaim despite limited use of his fretting hand following an injury.
"Ho iniziato a suonare la fisarmonica... perchè mio padre, tutta la mia famiglia - parenti - tutti suonavano la fisarmonica"
Andrew Lock asks: Having just started playing guitar at a fairly late age (33) could you tell me at what age you started playing?
Tony: It's been that long now I can't remember! I started playing an accordion... because me father, all my family - relations - all played accordions; `course I was palmed off with an accordion. I wanted to play drums originally... I was about 12,13 or 14... about ten years ago now!
http://www.chitarralampo.com/spartiti/tony-iommi-libro-il-mio-viaggio-tra-paradiso-inferno-black-sabbath-autobiografia-libro
Chitarra Lampo, Libri di musica per chitarra con Tablature. La più grande libreria specializzata per chitarristi, con i prezzi migliori ! Libri di musica, tablature / intavolature, spartiti, spartiti di canzoni, partiture, metodi, manuali di tecnica, accordi, manuali di armonia, Fingerstyle, Fingerpicking, libri illustrati sugli strumenti, liuteria, accordature aperte, lezioni in DVD, CD-ROM, basi, chitarra basso. www.chitarralampo.com - TEL: 335 6397110
sabato 29 luglio 2017
lunedì 24 luglio 2017
GUNS N' ROSES USE YOUR ILLUSION I BAND SCORE PARTITURA
GUNS N' ROSES,
USE YOUR ILLUSION I.
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LIBRO DI SPARTITI PER OGNI STRUMENTO !
GUNS N' ROSES, USE YOUR ILLUSION I. BAND SCORE .
SHEET MUSIC BOOK EVERY INSTRUMENTS: VOCAL, GUITAR, BASS, DRUM, PIANO KEYBOARD, ECC. ECC. BASS & GUITARS WITH TABLATURE.
COMPLETE SCORE.
LIBRO DI SPARTITI DI MUSICA ROCK.
PARTITURA, SPARTITI DI OGNI STRUMENTO: CHITARRA, VOCE, CHITARRA BASSO, TASTIERE, BATTERIA, ECC.
TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA E TABLATURE.
Guns'n'roses: Use your illusion 1 - band score
1. RIGHT NEXT DOOR TO HELL P.2
2. DUST N’ BONES P.15
3. LIVE AND LET DIE P.30
4. DON’T CRY (ORIGINAL) P.38
5. PERFECT CRIME P.48
6. YOU AIN’T THE FIRST P.63
7. BAD OBSESSION P.70
8. BACK OFF BITCH P.87
9. DOUBLE TALKIN’ JIVE P.103
10. NOVEMBER RAIN P.119
11. THE GARDEN P.140
12. GARDEN OF EDEN P.152
13. DON’T DAMN ME P.164
14. BAD APPLES P.182
15. DEAD HORSE P.196
16. COMA P.207
PAGES: 240
ITALY
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