TOMMY EMMANUEL SPARTITI LIBRI TABLATURE DVD

TOMMY EMMANUEL

TOMMY EMMANUEL A STEP-BY-STEP BREAKDOWN OF HIS GUITAR STYLES & TECHNIQUES CD TABLATURE

TOMMY EMMANUEL, A STEP-BY-STEP BREAKDOWN OF HIS GUITAR STYLES & TECHNIQUES. LIBRO CON CD E TABLATURE

LIBRO DI MUSICA ACUSTICA. CON CD.
SPARTITI PER CHITARRA CON:
ACCORDI, PENTAGRAMMA E TABLATURE.

Series: Signature Licks Guitar
Format: Softcover with CD - TAB
Author: Chad Johnson
Artist: Tommy Emmanuel
Take an in-depth look at the virtuosic playing of this Aussie acoustic master! This Signature Licks book includes detailed analysis of 12 songs, plus a CD featuring demos of all the music examples in the book! Songs: Angelina • Can't Get Enough • Countrywide • Determination • From the Hip • Guitar Boogie Shuffle • The Hunt • Initiation • Lewis & Clark • Since We Met • Up from Down Under • Who Dares Wins.

Angelina
Can't Get Enough
Countrywide
Determination
From The Hip
Guitar Boogie Shuffle
The Hunt
Initiation
Lewis & Clark
Since We Met
Up From Down Under
Who Dares Wins

80 pages

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EMMANUEL TOMMY AND FRANK VIGNOLA JUST BETWEEN FRETS LIBRO guitar TABLATURE Reinhardt SWING

EMMANUEL TOMMY AND FRANK VIGNOLA, JUST BETWEEN FRETS. TABLATURE

LIBRO PER DI MUSICA SWING MANOUCHE,

SPARTITI PER CHITARRA, 

ACCORDI, PENTAGRAMMA E TABLATURE

by Tommy Emmanuel & Frank Vignola ; transcribed by Vinney Raniolo

"Just Betweens Frets"  è l'ultimo risultato della collaborazione tra Tommy Emmanuel e Frank Vignola. Frank e Tommy prendono brani famosi e li trasformano grazie al loro virtuosismo e alla chimica unica che si crea dentro il loro duetto, creando una catena non stop di magici momenti musicali catturati in due spontanee sessions. Questo libro è la trascrizione dell'album e comprende la notazioni standard con tablature sia per la parte di Tommy, sia per la parte di Frank.  Include: Paper Moon, How High the Moon, Clouds e altri.

Just Betweens Frets is the latest collaboration of Tommy Emmanuel and Frank Vignola.
Frank and Tommy turn many a well known tunes inside out with their virtuosity and unique chemistry as a duo, creating a non-stop chain of magical musical moments that were captured in a couple of spontaneous recording sessions. This book is a transcription of the album and features standard notation and tablature for both Frank’s and Tommy’s parts. Tunes include: Paper Moon, How High the Moon, Clouds and many more.

1934 - Clouds - Walter Donaldson
1945 - Django’s Castle - Django Reinhardt
1940 - How High the Moon - Morgan Lewis
1930 - I’ve Got a Crush on You/Young at Heart - George Gershwin & Ira Gershwin
2009 - Just Us for All - William Emmanuel
1947 - Nature Boy - Eden Ahbez
1933 - Paper Moon - Harold Arlen
1955 - Sweet Dreams - Don Gibson
2009 - Swing 09 - Tommy Emmanuel
1939 - Swing 39 / Swing 42 - Django Reinhardt & Stephane Grappelli
1946 - Tenderly - Walter Gross

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EMMANUEL TOMMY CENTER STAGE Concert DVD CHITARRA CONCERTO FINGERPICKING FINGERSTYLE

EMMANUEL TOMMY, CENTER STAGE. Concert. DVD

EMMANUEL TOMMY, CENTER STAGE. Concerto. DVD

Capturing the guitarist's immense talent is this DVD recorded live over 3 nights in October 2007 at the Sierra Nevada Brewery in Chico, California for the PBS TV series Sierra Center Stage. This DVD includes extra performances not originally part of the TV broadcast version.

Prezzo: €19,99

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EMMANUEL TOMMY THE MYSTERY C.G.P. Certified Guitar Player TRANSCRIPTIONS TABLATURE LIBRO

EMMANUEL TOMMY, THE MYSTERY. GUITAR TABLATURE

LIBRO DI MUSICA ACUSTICA PER CHITARRA .

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA E CON TABLATURE.

Quanta italia in questo album, IL COMPLEANNO DI ANTONELLA, CANTINA SENESE, Ciao Emmanuele.

TOMMY EMMANUEL C.G.P. (Certified Guitar Player) 

Product Description:

The Mystery, Tommy Emmanuel's sixth US album, was inspired by Emmanuel's travels; each of the album's compositions is a musical snapshot or sojourn - a journey that brings us together with places and people - a journey into self discovery.

This transcription book shows all twelve tunes on the CD note-for-note in standard notation and tablature. Also included are detailed performance notes of each tune. 136 pages.

Product Number: 22000
Format: Book
ISBN: 0786681691
UPC: 796279109970
ISBN13: 9780786681693

INTRODUCTION

Tommy's compositions and aITangements cover many styles and techniques. If you have studied the Mel Bay books for Tommy's CD's Only and Endless Road, you already have a head start in learning his mu ic. The tunes for this project are heard on the CD The Mystery. Also you can study the Mel Bay project, Emmanuel Labor with Tommy's discussions of pieces from the above three CD's. From The Mystery Tommy play and discusses "The Mystery", "Gameshow Rag/Cannonball Rag", "The Diggers' Waltz", "Lewis and Clark", and "Antonella's Birthday". There will be some slight variations between the video performance and the recorded tunes. Although he may not playa tune in performance exactly the same way each lime, these transcription will allow you to learn the recorded version, and will give you insight into his methods. These tunes range in difficulty from intermediate to very difficult. There are a few difficult stretches and also Tommy's technique involves some innovative moves, such as fretting the 5th string with the thumb. But whether or not ou perform these tunes, most of the enjoyment comes from understanding them and playing them for their beaut). Some tunes are played with a thumbpick, and others are played without a pick, resulting in a softer sound. Others are played in a hybrid style, using a flat pick, allowing for strong rhythm and interwoven melody note With this style, the right-hand index finger is no longer available for melody. The melody is produced by the pick and the middle and ring fingers. This technique may be difficult for you if you are based in traditional fingerpicking, but it is well worth the effort to learn it. If you read musical notation, the tablature will still be helpful as it points toward left-hand position on the guitar neck. And if you are relying on tablature, remember that left-hand fingering is found in the notation. Learning the hybrid style requires understanding the information given in the tablature. I have tried to indicate the pick stroke directions that are most important, while trying to avoid repeating the stroke directions to reduce the amount of clutter in the tablature. In the hybrid tyle, the thumb and first finger hold the pick, and in accord with classical notation this is shown by a "p". The middle finger will be "m" and the ring finger will be "a". These letters will be stacked when the middle and/or the ring finger pluck notes at the same time as the pick. At other times the pick (thumb and first finger unit) and ... 

TOMMY EMMANUEL C.G.P.

photo by Sara Corwin

Two-time Grammy nominee Tommy Emmanuel has a professional career that spans over four decades and continues to intersect with some of the finest musicians throughout the world. A household name in his native Australia, Tommy has garnered hundreds of thousands of loyal fans worldwide. Tommy's unique style - he calls it simply "finger style" – is akin to playing guitar the way a pianist plays piano, using all ten fingers. Guitar legend Chet Atkins was one of the first to inspire Emmanuel to pick up the guitar as a child. Decades later Atkins himself became one of Emmanuel's biggest fans. In 1999, Chet honored Tommy Emmanuel with the title of "Certified Guitar Player" for his lifetime contribution to the instrument, a rare honor shared by only three other people in the world (Jerry Reed, Steve Wariner and John Knowles). Atkins eventually recorded with Tommy in 1996 on 'The Day the Finger Pickers Took Over the World", for which Emmanuel received his first Grammy award nomination. This was also Atkins last recording.

After a recent recuperative rest, resulting from an exhausting touring schedule, Tommy is now completely rejuvenated and embarking on a full tour schedule in 2008. A new double live CD and DVD, "Center Stage" filmed in High Definition and recorded at the Sierra Nevada Brewery in Chico, California will be commercially released in Spring '08. The DVD portion will also air on Public Television affiliates all over the United States. Every element of modern technology was used in the production of both the DVD and CD. Tomm's record producer, Kim Person, recorded and mixed the audio tracks, while long-time Sierra Nevada video producer/ director Peter Barlow tied the entire package together in state-of-the-art quality. It makes for a stunning package, both aurally and visually. The double disc Live CD "Center Stage" contains many fan show-stoppers, including Emmanuel's BeatIes Medley, Mombasa, and Initiation - the aboriginal tribute song that has evolved over the years and never sounds the same on any recording - or during any show. Tommy also introduces four never-before recorded tracks, "Ruby's Eyes", "Lenny Bro''', "The Jolly Swagman" and "Papa George" (inspired by George Harrison). Also, included are several arrangements of popular traditional tunes like "House of the Rising", "Nine Pound Hammer", "Amazing Grace" - and for his Japanese fans, "Sukiyaki" This new CD is a great mix of the rare, the new, the traditional and the favorites. Emmanuel's music and life are legendary in Australia. He began playing guitar at age 4, by learning to play by ear without any formal instruction. Emmanuel and his older brother Phil were child prodigies, starting their professional career in the 1960s. By the age of six, Tommy was already working as a professional musician. Shortly after his father's death in 1966, the Emmanuel family was approached by Australian country music star Buddy Williams, who took the family on the road until they were forced by the Australian child welfare department to stop traveling. The Emmanuel children were then sent to a regular school. During these years, Tommy was playing in "The Trailblazers" (with siblings Chris on drums and Virginia on slide guitar) on weekends. He also taught guitar and made numerous television appearances in musical competitions. Emmanuel's first brush with fame came when The Trailblazers won two televised talent contests and produced an EP. He and his siblings worked hard ... 

ANTONELLA'S BIRTHDAY
Antonella is one of my dearest friends from Soave, Italy and I wrote it early one morning as the golden sun
streamed through the windows onto my bed. Antonella was making breakfast downstairs and when I found out
it was her birthday, I dedicated it to her, with all my heart. She's a true friend.

Tune the 5th string down to G and the 6th string down to D. The tune is played with a flat pick in a hybrid
style, using the pick ("p") and the middle finger ("m"), and the ring finger ("a"). These letters will be stacked
over the corresponding strings in the tablature. Natural harmonics are used extensively. With your left-hand
finger lightly touch the string at the fret indicated in brackets, <7> for example. In the notation the notehead
will be diamond shaped. Then strike the string with the pick to obtain the harmonic or chiming sound.
Remember that the harmonics should always ring freely, creating a "cascade" effect. In order to notate the tune
correctly, the first note of the song is played as the last half of the last beat of the first measure. That is necessary in order to be in the right place when you play the last note of measure 9. That harmonic on the 5th string
could be considered the first real note of the melody, but it continues into the next measure with an eighth note
rest. There is another way to think of it. If you are tapping your foot, you start just after the first note of the
tune, and by the beginning of measure 10 you will be tapping on the the tied note, and the melody will fall in
place "in time" throughout the rest of the tune. As usual with this style, pay attention to the pick strokes,
for downstroke and "V" for upstroke. Sometimes, as in measure 11, a downstroke can play many strings in a
strum motion. In measure 21, the right-hand finger letters are stacked over the notation in the first beat. meaning
that the pick plays the third string, the middle finger plucks the second string, and the ring finger pluck
the first string. For the last beat of that measure it is understood that the pick plays the slide on the fifth string.
and it is written that the middle and ring fingers play the other two strings. On the lowest string of a chord.
there is not always room to show the downstroke symbol. (And that is the case throughout the book.)

Song Title: Composer/Source:

And so it Goes - Tommy Emmanuel
Antonella's Birthday - Tommy Emmanuel
Cantina Senese - Tommy Emmanuel
Cowboy's Dream - Tommy Emmanuel
Footprints - Tommy Emmanuel
Gameshow Rag / Cannonball Rag - Tommy Emmanuel
Keep it Simple - Tommy Emmanuel
Lewis & Clark - Tommy Emmanuel
That's the Spirit - Tommy Emmanuel
The Digger's Waltz - Tommy Emmanuel
The Mystery - Tommy Emmanuel
Walls - Tommy Emmanuel

Every day we experience "The Mystery." It's in our love for each other, it's in our feelings ofr others, in our music, it's in the kindness of strangers, in the parade of people who seem to appear at the right moment to help or to encourage us through tough times, in the wonders we see around us when we travel or just the feeling we are doing something good for our brothers and sisters. It's all around us, in us, ahead of us and lighting our way. It's God's awesome love for his children. Get it? Got it? Good!

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EMMANUEL TOMMY LABOR DVD-Angelina-Train to Dusseldorf-Endless Road-The Mystery-Only CHITARRA

EMMANUEL TOMMY, EMMANUEL LABOR. Titoli dagli albums: Only, Endless Road e The Mystery. DVD
DURATA: 2 ORE E 46 MINUTI

VIDEO LEZIONE DI MUSICA ACUSTICA PER CHITARRA FINGERPICKING FINGERSTYLE. 

Product Description:
Emmanuel Labor provides a personal, one-on-one setting in which not only music aficionados can enjoy performances of some of Tommy’s best-loved tunes, but also offers guitar players instruction by one of the world’s best. Tommy Emmanuel, fingerstyle master and performer, shares his personal insight and technique to sixteen tunes. Pieces shown include cuts from his albums Only, Endless Road and The Mystery. As a bonus feature on the DVD a few sections are slowed down, with no compromise in pitch or video, to better see the exact execution that Tommy uses. DVD length: 166 minutes.

Contents:

Luttrell (Only)
Timberlake Road (Only)
Drive Time (Only)
Drive Time (Only)
Mombasa (Only)
Those Who Wait (Only)
Train to Dusseldorf (Only)
Angelina (Endless Road)
Endless Road (Endless Road)
The Man With The Green Thumb (Endless Road)
Old Town (Endless Road)
Tall Fiddler (Endless Road)
The Mystery (The Mystery)
Gameshow Rag Cannonball Rag (The Mystery)
Diggers' Waltz (The Mystery)
Lewis and Clark (The Mystery)
Antonella's Birthday (The Mystery)

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EMMANUEL TOMMY BEST OF Guitar Recorded Version TABLATURE LIBRO BLUE MOON-Boogie Shuffle

EMMANUEL TOMMY, BEST OF. GUITAR TABLATURE

LIBRO DI MUSICA ACUSTICA,

SPARTITI PER CHITARRA

CON ACCORDI, PENTAGRAMMA E TABLATURE. 

Series: Guitar Recorded Version TAB
Artist: Tommy Emmanuel

12 transcriptions from the versatile, award-winning Aussie guitarist, including, 141 pages

Blue Moon
Can't Get Enough
Classical Gas
Countrywide
Determination
Guitar Boogie Shuffle
Hearts Grow Fonder
The Hunt
Initiation
The Journey
Stevie's Blues
Up From Down Under

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EMMANUEL TOMMY LIVE from Majesty Theatre in Australia DVD CHITARRA ACUSTICA MUSICA FINGERSTYLE

EMMANUEL TOMMY, LIVE. from Majesty Theatre in Australia. DVD

Includes Tommy's landmark performance from Her Majesty's Theatre in Australia. Songs: Somewhere Over the Rainbow - Dream a Little Dream - Cannonball Rag - Cowboy's Dream - more.

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EMMANUEL TOMMY ENDLESS ROAD TABLATURE LIBRO SPARTITI MUSICA CHITARRA FINGERPICKING

EMMANUEL TOMMY, ENDLESS ROAD. TABLATURE

LIBRO DI MUSICA ACUSTICA.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA E TABLATURE. 

15 instrumental cuts on the album including musical notation and Tablature.

Product Description:
Mel Bay Publications presents a collection of arrangements and original compositions from Australian guitarist Tommy Emmanuel's 2005 CD, Endless Road. Not for the faint of heart, this outstanding collection of intermediate to advanced solos includes two pop standards (Somewhere Over the Rainbow and Mona Lisa) plus thirteen of Tommy's incredible compositions.

You’ll gain insights into Tommy's playing style through note-for-note notation and tablature transcribed by Mark Pritcher who has added suggested chord progressions to each tune to serve as a harmonic guide to the player. In addition, detailed performance notes and select chord grid diagrams further enhance accessibility to the works of this masterful guitar tunesmith.

Tommy’s music incorporates thumbpicking, jazzy single lines, chord-melody arranging techniques, complex use of harmonics and more. Playing through this collection will give you a whole new appreciation for your guitar!

ENDLESS ROAD

This piece was written during a time of great change in Tommy's life and has many moods and movements. Tommy says, "This song is about ajourney. It tells us that as we go down the road we encounter problems and changes and we weather through them and then get back on track." The song is played with a flat pick, and uses"hybrid picking" to attain a form of fingerpicking using a flat pick instead of a thumbpick. Tommy gets a groove going from the beginning with a constant droning strum, interspersed with melody that is played both with the pick and fingers. The pick is held with the thumb and first finger, leaving the second and third fingers to help with the melody. As the song begins, you must target the melody notes with the pick. If that is hard for you, you can use your second and third fingers to pluck the melody notes. I have made some suggestions for the strum pattern. "p" refers to the thumb and first finger holding the pick. "mil indicates the middle or second finger. "i" indicates the ring finger. The bold bracket pointing down indicates a pick stroke in the down direction, towards the floor, and the "v" symbol indicates an up stroke with the pick. In the third measure for instance, the bracket over the bass note shows a down stroke with "p" and the third string is played with the ring finger. This general technique is used anytime there is a bass note and a separate melody note. The "X" indicates either a right hand percussive strike at the strings, or a percussive strum across strings that are dampened and muted by the left hand. In measure 17 the F#on the first string is part of a transitional D chord, although all you hear is the melody note. At measure 59, the second "movement" begins, with a lyrical dancing melody, and much pick work. At measure 101, the arrow pointing down indicates a strum from the high to the low strings, and the tension builds. By measure 107, there is more use of both middle and ring fingers on rolling chords. The big strum at the end of 119 takes us into the key change to E. At measure 130 there is the first of three almost identical ''Django" style chromatic runs, the last of which takes you back to the key of G. Hints of the opening theme are heard once more, and at measure 173 we are back to the main melody. Give it a try and if you are not comfortable with the flat pick, give it a try with a thumbpick.

TOMMY EMMANUEL

Tommy Emmanuel is a phenomenal guitarist. He has been recognized internationally for his virtuosity in playing all types of music on the guitar. Besides that, he is an entertainer, and he makes people happy. His audience is immediately aware that they are in the presence of a very gifted guitarist, and the "musical powers that be" are fast becoming aware of his gift. In the late 1990's he recorded a CD with his mentor, guitar legend Chet Atkins, and devoted more time to touring in the United States. He moved his home from his native Australia to England, and recently to the U.S., and chances are that he will be performing somewhere near you before too long. His compositions seem simple to the ear, but are incredibly complex when analyzed. The fifteen instrumental tunes from the "Endless Road" CD represent many styles. You will hear bluegrass, jazz, pop standards, slow tunes and very fast tunes, and you will hear music asTommy hears it. Whether you are a beginner or an accomplished player, I know you will enjoy working on these tunes. In Tommy's playing there is always more going on than meets the eye or ear. He uses multiple techniques and tricks to get his unique sound. He sometimes mutes strings with the palm of his right hand, and sometimes with the fingertips of his left hand. When he is playing with a thumbpick, he may strike the strings with the pick, brush down with the far side of his right hand fingertips, or brush up with the near side of the right hand fingertips. He often uses unexpected chord fingerings, especially if it facilitates the movement to the next chord or position. It is rare for him to have unanchored notes. In other words pay attention to the chord symbols or diagrams. Often the music shows you the notes that are being played, but just as is important are the "notes" that are not played. No matter how many notes are sounded, there may be other notes being fretted that are not plucked with the right hand, but are important all the same. Tommy's tunes usually do not require a back up guitar, but I have provided the chords as I hear them, and sometimes I have "created" chords based on one or two melody notes. Chords provide a framework for analysis. Many of the tunes have key changes, and you can follow the changes with the chords. Usually the fretboard diagrams included above the music are for hand position only and are not meant to show a specific chord. The gist of a tune is the same each time he plays it, but the tunes on this CD were improvised to some extent, and thus must be recreated "by ear". Also Tommy is known to use different fingerings in the same tune, if it helps the playing of the song. For instance an "A" chord at the second fret may be fingered differently depending on what comes after it. Also for some tunes Tommy uses a flat pick and fingers, a technique sometimes called "hybrid" picking. This may present a problem for those of you who are strictly fingerpickers. But give it a try, and if you still find it awkward, you may find that those tunes are also playable in a "fingerstyle" manner...

Format: Book
Song Title: Composer/Source:

(The Man With The) Green Thumb     - Tommy Emmanuel
Angelina       - Tommy Emmanuel - 2004
Bella Soave      - Tommy Emmanuel - 2004
Chet's Ramble     - Tommy Emmanuel and Chet Atkins
Christmas Memories/Wheels    - Tommy Emmanuel
Endless Road     - Tommy Emmanuel
La Visita      - Tommy Emmanuel
Mona Lisa   - Jay Livingston & Ray Evans - 1949
Morning Aire   - Tommy Emmanuel
Old Town     - Tommy Emmanuel
Sanitarium Shuffle   - Tommy Emmanuel
Somewhere Over The Rainbow    - HAROLD ARLEN - 1938
Son Of A Gun      - Tommy Emmanuel
Tall Fiddler       - Tommy Emmanuel
Windy and Warm    - John D. Loudermilk - 1961

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EMMANUEL TOMMY GUITAR TALK DVD VIDEO LEZIONE CHITARRA FINGERSTYLE BOOGIE METODO

EMMANUEL TOMMY, GUITAR TALK. DVD
SUBTITLES: FRENCH, ITALIANO, GERMAN.

VIDEO METODO LEZIONE PER CHITARRA.

Are you ready to become a better guitar player? Are you interested in seeing how Tommy makes his guitar "talk"? Either way, you’ll find this video by Tommy Emmanuel, often called" ...the greatest all-round guitarist in the world today...", to be informative and inspirational as he draws on 30 years experience to show you, in "typical Tommy style", the essentials of guitar playing.

You’ll learn how to:
String and tune your guitar -so that it stays in tune.
Develop "groove" in your rhythm guitar playing.
Become a "one man band" -play Guitar Boogie solo.
Make your melody playing more expressive.
Make music out of scales ...and make the most of your practice.

Whether you’re a beginner or a professional, you’ll find Tommy’s DVD instructions easy to follow. The segments on rhythm guitar, melody playing and lead guitar are clearly presented and backed up by on-screen "fretboard graphics" and a PDF file on the disc in music notation for the more advanced player. As you watch Tommy in action, you’ll get that inside look at what it takes to make you a better guitar player. Running time: 76 minutes circa.
Cold Shot
Determination
Guitar Boogie
Hearts Grow Fonder
Initiation - tribute to the Aboriginal people of Australia
Run A Good Race
Silent Night
Stevies Blues

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EMMANUEL TOMMY UP CLOSE & PERSONAL DVD METODO LEZIONE CHITARRA FINGERPICKING

EMMANUEL TOMMY, UP CLOSE & PERSONAL.
SUBTITLES: FRENCH, ITALIANO, GERMAN.

VIDEO LEZIONE DI MUSICA ACUSTICA.

PER CHITARRA FINGERSTYLE 

Lezione personale di due ore. Stevie's Blues -Precious Time -The Hunt. harmonic technique, tecnica del pollice e delle dita. Classical Gas -Day Tripper -Lady Madonna -Imagine -Since We Met -Gollywogs Cakewalk -Amy -Country Wide -Up from Down Under -Michelle, e altre. Subtitles: french, italiano, german. DVD

Up Close is a 2-hour personal lesson with Tommy. It features detailed and "slowed down" demonstrations of many of Tommy's songs, including Stevie's Blues, Precious Time, and The Hunt. He explains in detail his amazing harmonic technique, and shows you step by step how to play thumb and finger styles. There are rare insights into some of his more complicated arrangements and featured throughout the video are "up close" performances of Classical Gas, Day Tripper, Lady Madonna, Imagine, Since We Met, Gollywogs Cakewalk, Amy, Country Wide, Up from Down Under, Michelle and so much more! For any guitar player, whether beginner or pro, this video is a priceless gift of knowledge, experience and good music forever! DVD

A Taste of Honey
Amy
Bye Bye Blackbird
Classical Gas
Countrywide
Day Tripper
Dixie Maguire
Doc's Guitar
Freight Train
Gollywog's Cakewalk
Gone to South Australia
I'll See You In My Dreams
Imagine
Initiation
Keep It Simple
Lady Madonna
Michelle
Padre
Precious Time
Road to Gundagai
Since We Met
Stevies Blues
That's The Spirit
The Hunt
Trambone
Up From Down Under
Waltzing Mathilda
Who's Sorry Now
Windy & Warm

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EMMANUEL TOMMY FINGERSTYLE GUITAR METHOD CD TABLATURE LIBRO METODO CHITARRA FINGERPICKING

EMMANUEL TOMMY, FINGERSTYLE GUITAR METHOD. CD TABLATURE

LIBRO METODO PER CHITARRA ACUSTICA, CON CD. 

SPARTITI PER CHITARRA:

ACCORDI, PENTAGRAMMA E TABLATURE. 

The incomparable Australian guitarist Tommy Emmanuel presents four fingerstyle exercises plus an arrangement of the classic tune Freight Train and two signature compositions- Mister Guitar and Dixie McGuire. This book would serve either as a reference text for one of Tommy's workshops or as a helpful guide to developing fingerstyle guitarists working on their own. All selections are written in notation and tablature for the guitar in standard tuning. A convenient chord chart is provided in the appendix. All of the selections in the book appear on the companion CD.

Intermediate to advanced in difficulty, playing these tunes literally involves the thumbs of both hands! Gaining flexibility and control of your left thumb, you too can play like TE!

Dictation Notes with Tommy Emmanuel Getting Started on Fingerstyle ...

GETTING PREPARED

• Make sure your guitar is set up so it is comfortable for you to play.

• Choose a good set of strings

• Get in tune ...

TUNING

• If you have an electronic tuner and you just tune acoustically, that is fine.

• If you plug into a tuner, make sure you turn the microphone off.

• When you have a pick up in your guitar and you plug into the tuner, put the midrange flat out or on the lever,

whichever you understand. That gives the tuner, a real accurate tuner, a sparky signal and you will be able

to get your guitar really and truly in tune.

• It is always a good idea to practice tuning up as well as playing the guitar so you can get use to your guitar

sounding in tune. After a while you will find that you will end up training your own ear into what the sound

of being in tune really is.

NAILS ... ACRYLIC NAILS, NO NAILS OR FINGERPICKS

• What works for you?

• What sound are you going for?

CHOICE OF THUMBPICK

• I use Dunlop medium thumb pick ... not too big, small, thin, or thick ... it is right in the middle, like a

plectrum, but it is wrapped around your thumb.

• Some people use the slick picks, which are thinner.

• It depends on what kind of dynamic or strength you play with. Personally, if I use a slick pick, it would

probably fly across the room after the first bass note.

• I like something that hangs on to my thumb, doesn't make it turn blue on the end and it sticks on your thumb

properly.

• The thumb pick ~hould be pushed back so when you look at your thumb it is covering the end of your nail,

where it meets the flesh, first knuckle joint. When I look down at my thumb, it looks like there is 1/2 inch

of thumb sticking out.

• The thumb has to be independent to the fingers. It is important that you develop the thumb first before you

do anything with the fingers. You have to start training it. This takes time and dedication.

• In the key C. pick C, F, and G to play. Put your fingers down on the place of the guitar where the fret guard

is, down at the mouth. I rest the heal of my palm, the corner of the heal down and I take a little bit of

resonance out of the string to give it that music sound. Leave your fingers down and start with the A string

on the 3rd fret of the C chord. When you can get this slow and steady and use to it, go to C, G, and C.

• It is very important that with each chord change, I start the bass note on the root note. When I am playing

in C, the first note you play is C. Whatever chord you are playing, the first bass note should be the root note,

the note of that chord.

• Practice slowly. Keep the fingers down. Do in any key, E, A, G, B, A ...

• Practice until you can get a good feel, groove going and playing the thumb without the fingers coming up.

Get the thumb going first.

• It is important for you to become good at tapping your foot when you play. Chet use to say, pat your foot. It

will help you with your groove and your time. It will put a bit of bounce and confidence into your playing

and timing. You need to have a good time.

• I always tap my foot on 1 and 3. The only time I don't tap on 1 and 3 is in an extreme situation where I

would playa song where for me to get the right feel on it I would tap on the other beat or where I would tap

like a bass drummer. 

(CONTITUA)

Contents

Holding Position

Fingerstyle Notation

Learning to Read Tablature

Dictation Notes with Tommy Emmanuel

Getting Started On Fingerstyle Guitar

Tom's Thumb

Freight Train (simple version)

Freight Train

Mr. Guitar

Dixie McGuire

Thumbpickers Chord Chart  

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EMMANUEL TOMMY ONLY Biskie-DriveTime-Luttrell-Mombasa-padre-Questions-robin-GUITAR TABLATURE LIBRO

EMMANUEL TOMMY, ONLY. GUITAR TABLATURE

LIBRO PER CHITARRA CON TABLATURE

NOTE FOR NOTE TRANSCRIBED SOLOS FROM THE ALBUM BY TOMMY EMMANUEL Certified Guitar Player.

Tommy Emmanuel has electrified audiences across the globe. This book contains note-for-note transcriptions of solos from Emmanuel's album Only in standard notation and tablature. Transcribed by Mark Pritcher.

TOMMY EMMANUEL
Hailed by Chet Atkins as "Without a doubt, one of the greatest guitar players on the
planet," Tommy Emmanuel has electrified audiences from Steve Kaufman's diminutive
Palace Theater in Maryville, Tennessee to the closing ceremony of the 2000 Olympics
in Sydney, Australia. Having concertized throughout much of the civilized world, this
dynamic performer who, in his words "happens to be a pretty good guitarist," made his
way to the fabled competition in Winfield Kansas as a guest artist for the first time in
2000. Shortly before Tommy's performances there, parking lot pickers were said to
have ceasedjamming and moved trance like in droves to a venue designed to hold perhaps 500,
now packed with three times that number ali to hear Tommy Emmanuel play
an acoustic guitar!
Although he has acted as a mentor to a dedicated few young guitarists in his native
Australia, Tommy seems destined to make his mark performing on the world stage. His
impeccable taste, flawless technique, and engaging personality have inspired fans and
critics alike.

ACKNOWLEDGEMENTS
I sincerely hope that you enjoy learning these works of art from Tommy's CD
"QNLY". Many thanks to Tommy for the joy that his music brings usoThe folks at Mel
Bay have been very gracious in providing space for the entire tunes. There is enough
variation in the choruses to make "repeats" impractical and I couldn't bear to leave
anything out. Italian guitarist Daniele Bazzani had worked on these tunes independently
and was kind enough to supply me with his notes early on, and that made my
task easier. Thanks to Brett Wood for help with some "impossible" licks. These tunes vary in difficulty, and please remember that interpreting notes and positions by ear can be subjective at best! Feel free to let me know if you have questions about the music. And very special thanks
to my wife Carol and daughter Katelynn, who allowed me to take on this project. I
Mark Pritcher, Tennessee

THOSE WHO WAIT Played with a plectrum (straight pick) 6th string = D; guitar tuned down 1/2 step

"We learn so much in life/ dont we? Ufe is our teacher. Ufe is the school/ and if we're

smart we learn the lessons and learn from each other. I think one of the hardest things

that I've ever had to learn is patience; and trust and faith in believing that things are

going to work out. That's really hard to learn/ to be patient. That's what this song is

about. About truly trusting that if your motives are right/ and everything about you is

heading in the right direction/ then there is no way that you can go wrong. /'

The plectrum is held by the thumb and first finger, and you then use the pick and your

second and third fingers to play the strings. This is sometimes called "hybrid picking".

For a given tune, and a desired effect, the plectrum gives a different sound than the

thumb pick. But if you have never played in this style it can be a challenge. Take it slow

and easy and you will get it! It is not practical to put a plectrum direction on each note,

but you can lay your right hand on the strings, and get a feel for what strings the pick

contacts, and which strings your second and third fingers touch comfortably. If this

style is new to you, go through the tune first using thumb and three fingers, and when

you are familiar with it, you can start on the hybrid technique. It is helpful to study

Tommy's performance videos or DVD's and watch his right hand. Also the fingering is

often critical. In places, fingering can be an individual thing, and you play the way your

left hand feels the best. But most of the time that I have indicated fingering, it is

because it is as Tommy intended it to be played. What seems to be awkward at times,

usually turns out to be brilliant because he has a way of making the melodic ideas flow

together, due in large part to the choice of fingering.

In this tune the tempo is fairly even throughout. It starts with natural harmonics at the

seventh fret, as you lay your first finger across the neck. Tommy uses his left-hand

thumb often to fret the 6th string. This is the case with the opening motif, starting

with the bass in measure 4. For the most part, let notes ring and sustain whenever possible,

even if it is not indicated in the music. Tommy's left hand reach is remarkable, as

you can tell from the five fret stretch in measure 26. Measure 32 has one of the awkward

fingerings on the hammer-on that will take some practice! The left hand thumb

is put to use again for the passage starting in measure 37. In measure 82, there is a

quick natural harmonic on the fifth string, and then you use your left hand to play the

hammer-on on the sixth string.

- Biskie

- DriveTime

- I've Always Thought Of You

- Luttrell

- Mombasa

- Ol Brother Hubbard

- Padre

- Questions

- Sonce We Met  

- Stay Close to Me

- The Robin

- Those Who Wait

- Timberlake Road

- Train to Dusseldorf. 

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EMMANUEL TOMMY SOLO GUITAR STYLE LIBRO CD TABLATURE CHITARRA ACUSTICA FINGERPICKING

EMMANUEL TOMMY, SOLO GUITAR STYLE. Paul Hedman, transcriptions by Peter Pik. Tommy Emmanuel may simply be the greatest guitarist alive. A child prodigy, and possibly Australia's best-kept secret, Tommy is rapidly receiving the worldwide recognition he deserves. A monstrous jazz, rock and blues guitarist, Tommy has a special affinity for solo acoustic guitar in the great tradition of Chet Atkins. So much so, in fact, that Chet Atkins himself has bestowed upon Tommy the coveted title C.G.P. (Certified Guitar Player).

In this book you will receive intensive, up-close lessons in solo guitar: "boom-chic" style, cascading harmonica (a la Lenny Breau), moving bass lines (check out "Lady Madonna"), Travis picking and much more. And for the first time a CD has been included so you can hear Tommy play all of these breathtaking arrangements. Titles include: Amy; Blue Moon; Cascading Harmonics; Countrywide; Day Tripper; Dixie McGuire; Freight Train; Lady Madonna; Limehouse Blues; Since We Met; A Taste of Honey; Tom's Thumb; Trambone; Up From Down Under; Windy and Warm. 204 pages. CD TABLATURE

LIBRO FUORI CATALOGO, NON DISPONIBILE

LIBRO DI MUSICA ACUSTICA PER CHITARRA, CON CD. 

SPARTITI PER CHITARRA CON :

ACCORDI, PENTAGRAMMA E TABLATURE. 

Table of Contents
Introduction: What is all this nonsense 9 (14)
about; Author/transcriber/notesetter/layout;
Acknowledgments; Learning the guitar; Aims of
this book; A note from the transcriber Pete
Speak; TE instructional videos: Guitar Talk
and Up Close; How to use this book
Who Is Tommy Emmanuel: The Picker From Down 23 (6)
Under?
A Lesson With Tommy: The Undefeated Boom Chic 29 (12)
Champion 1959
Merle Travis: There's Something In The Coal 41 (10)
Django Reinhardt: The Greatest Jazz Guitar 51 (10)
Player
Chet Atkins, C. G. P: Certified Guitar 61 (18)
Player---references for: open string runs;
hammer-ons; pull-offs; the superlick;
three-finger rolls; harmonics
Boom Chic Fingerstyle Guitar; 79 (18)
Tom's Thumb 84 (2)
Freight Train 86 (1)
Trambone 87 (1)
Windy and Warm 88 (5)
Limehouse Blues 93 (4)
Jerry Reed: The Kid/Songwriter 97 (8)
Lenny Breau: The Genius Of Our Time/Flirting 105(6)
With The Impossible
Tommy Songs 111(26)
Countrywide 115(5)
Dixie McGuire 120(6)
Amy 126(4)
Since We Met 130(7)
Cascading (Artificial) Harmonics 137(16)
Up From Down Under 145(8)
Moving Bass Lines 153(20)
A Taste of Honey 158(1)
Blue Moon 159(5)
Day Tripper/Lady Madonna 164(9)
TE Unplugged: Sources For Tommy's Live 173(4)
Acoustic Set
Tommy Emmanuel Website (including fan Club). 177(6)
Tommy Emmanuel Note-For-Note Website. Chet
Atkins Appreciation Society (C.A.A.S.)
Reference Section: How to play like books, 183
articles, LP/CD list, and videos on Tommy
Emmanuel, Merle Travis, Django Reinhardt,
Chet Atkins, Jerry Reed and Lenny Breau;
Howling Hedman's Suggested Further Reading
and Listening; distributors and publishers:
photo credits; quotations featured in this
Book. Notation and Tablature explanation

Prezzo: €41,00

€41,00

• 1
• 2

EMMANUEL TOMMY LIVE AT SHELDON CONCERT HALL DVD CHITARRA FINGERSTYLE BLUE MOON

EMMANUEL TOMMY, LIVE AT SHELDON CONCERT HALL. DVD

VIDEO CONCERTO.

Product Description:
Grammy-nominated fingerstyle guitar virtuoso Tommy Emmanuel has toured in Europe, Asia, South America, and the United States, bringing his music from the Australian outback to the rest of the world and creating legions of new fans in the process. None other than the incredible Chet Atkins has referred to him as "One of the greatest guitarists in the world," and Tommy is quick to acknowledge Chet as his principal inspiration. Modestly referring to himself as "an entertainer who happens to play the guitar," Tommy captivates his audiences with his humor, charisma and musicianship, delivering knockout performances around the globe. Tommy's energy and the ideal acoustics of the Sheldon Concert Hall make this a video performance to be cherished. This DVD features nearly two hours of performance, including all of the material from both of the VHS volumes entitled Tommy Emmanuel in Concert! Live at the Historic Sheldon Auditorium.

Amazing Grace -Beatles Medley: Day Tripper/ Taste of Honey / Lady Madonna -Biskie -Blue Moon -Borsalino -Classical Gas -Dixie McGuire -Guitar Boogie -I've Always Thought of You -Imagine -Initiation -Just an Old Fashioned Love Song -Luttrell -Michelle -Mombasa -Mona Lisa -Saltwater -That's the Spirit -The Hunt -Those Who Wait -Tom's Drums -Train to Dusseldorf/To "B" or not to "B"/Mr. Guitar -Waltzing Matilda -Waltzing Matilda (reprise)/Road to Gundaghi -Windy and Warm. Concert DVD

Prezzo: €47,99

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JAZZ GUITAR IMPROVISATION RGA LIBRO CD TABLATURE CHITARRA MUSICA METODO SPARTITI BEGOTTI | SPARTITI PER CHITARRA DI METODI JAZZ | Chitarra Lampo

JAZZ GUITAR IMPROVISATION RGA LIBRO CD TABLATURE CHITARRA MUSICA METODO SPARTITI BEGOTTI | SPARTITI PER CHITARRA DI METODI JAZZ | Chitarra Lampo

JAZZ GUITAR IMPROVISATION, RGA. LIBRO CON CD E TABLATURE
LIBRO METODO DI MUSICA JAZZ, CON CD
SPARTITI PER CHITARRA CON :
ACCORDI, PENTAGRAMMA E TABLATURE.
IN ITALIANO
Autore: Filadelfo Castro in collaborazione con Donato Begotti
Pagine: 128
Formato: libro + CD
Descrizione breve
Un vero e proprio corso d'improvvisazione jazz per chitarra, frutto dell'esperienza maturata in 15 anni di insegnamento. Utile sia ai chitarristi jazz, sia a quelli specializzati in stili musicali differenti. Per ottenere: padronanza dell'improvvisazione, conoscenza dell'armonia, consapevole creatività, evoluto orecchio relativo, abilità tecnica, padronanza della tastiera. Per improvvisare nello stile dei grandi jazzisti (Pat Metheny, George Benson, Miles Davis...), su basi arrangiate e registrate come un vero e proprio disco.

Ciao e benvenuto in “Jazz Guitar Improvvisation”!

 Che cos’è?
È un vero e proprio corso d’improvvisazione Jazz per chitarra. Nato dal corso Jam Jazz della rock guitar academy, e frutto dell’esperienza maturata in 15 anni di insegnamento, è realizzato in modo da essere utile sia ai chitarristi Jazz, sia a quelli specializzati in stili musicali differenti.

 Obiettivi
Mediante lo studio di questo libro otterrai:
• Padronanza dell’improvvisazione
• Conoscenza dell’armonia
• Consapevole creatività
• Evoluto orecchio relativo
• Abilità tecnica
• Padronanza della tastiera
 È divertente!
Su basi, arrangiate e registrate come un vero e proprio disco:
• improvviserai nello stile dei grandi del Jazz quali G. Benson, P. Metheny, J. pass, B. Lagrene, K. Burrell, D. Reinhardt, T. Farlow, W. Montgomery, L. carlton, M. stern, J. raney, M. davis e C. parker
• Jammerai insieme ad alcuni dei più prestigiosi musicisti italiani!

 Com’è organizzato?
Si divide in 12 lezioni di difficoltà progressiva. Avrai a disposizione:
• sintesi degli obiettivi da raggiungere
• 8 song nello stile di grandi chitarristi con biografia introduttiva
• 68 lick trascritti sia in notazione tradizionale sia in tablatura
• 50 illustrazioni raffiguranti diteggiature di scale/arpeggi di supporto al tuo studio CD
Contiene i file audio con le esecuzioni degli esempi musicali trascritti e 8 backing track di brani completi, sulle quali esercitarti ad improvvisare!

In questa lezione imparerai a:
• Improvvisare sulla cadenza più diffusa nel Jazz:  II-V-I
• Valorizzare la sonorità degli accordi tramite l’utilizzo delle note guida
• Inserire tensioni, cromatismi, approcci cromatici semplici e doppi nelle risoluzioni
Che cos’è?
Con la sigla II-V-I s’intende la successione di accordi di una tonalità maggiore che inizia con il secondo grado minore, passa per l’accordo di dominante e risolve su quello di tonica (in tonalità di C maggiore: Dmin7 - G7 - CMaj7); tutti e tre gli accordi sono derivati dalla scala diatonica e possono trovarsi nella loro forma base di quadriade o arricchiti di tensioni (9 - 11 - 13 come nei due esempi proposti) o alterazioni.
Il II-V-I è un’ottima palestra per prepararti ad improvvisare sugli standard in quanto è presente in quasi tutte le composizioni Jazz.
Per improvvisare su questo tipo di cadenza è fondamentale conoscere i Chord Tone (CT), ovvero le note che compongono gli accordi in essa contenuti. Nella costruzione del fraseggio, questi costituiranno la tua scelta principale in quanto, da soli, sono già sufficienti a comunicare “l’armonia”. Per renderti conto di quest’aspetto, prova a eseguire i semplici arpeggi di un’ottava che seguono.
Note guida e risoluzione semplice
Per costruire frasi interessanti in un solo Jazz, non è però sufficiente conoscere i Chord Tone, è necessario anche saper rendere evidenti le progressioni armoniche attraverso l’utilizzo delle note guida.
Con il termine “note guida” si intende il terzo e il settimo grado di ogni accordo. Queste due note hanno un comportamento armonico molto interessante: durante il passaggio da un accordo all’altro una delle due note (la terza del primo accordo) rimane costante diventando settima dell’accordo seguente, mentre l’altra (la settima del primo accordo) si muove di un semitono e “risolve” sulla terza dell’accordo successivo. Quella appena descritta è la risoluzione semplice.
Come avrai notato è sufficiente suonare le sole note guida per avvertire chiaramente il senso armonico della cadenza!
Quando costruisci una frase su un II-V-I prova quindi ad utilizzare i Chord Tone sui singoli accordi e le note guida a cavallo dei cambi armonici (nell’esempio successivo sono indicate da una freccia).

INDICE
dedica....................................................
credits.............................................................................................................
indice...............................................................................................................
L’autore...........................................................................................................
Filadelfo Castro.......................................................................................
ciao e benvenuto in “Jazz guitar improvvisation”!.............
Che cos’è?................................................................................................
Obiettivi .....................................................................................................
È divertente!.............................................................................................
Com’è strutturato?.................................................................................
CD................................................................................................................

Lezione 1
II-V-I maggiore.........................................................................................

Lezione 2
II-V-I minore...........................................................................................

Lezione 3
Dominanti secondarie e turnaround...........................................

Lezione 4
Strategie di costruzione melodica del fraseggio......................

Lezione 5
Sostituzione di tritono.......................................................................

Lezione 6
Estensione dell’accordo “min7”.....................................................

Lezione 7
Estensione dell’accordo “dom7”...................................................

Lezione 8
Alterazione dell’accordo “dom7”
con scale lidia dominante e superlocria.....................................

Lezione 9
Altre forme di alterazione dell’accordo “dom7”......................

Lezione 10
Trattamento degli accordi non diatonici.......................................

Lezione 11
Le scale pentatoniche e il Jazz.....................................................

Lezione 12
L’improvvisazione melodica...........................................................
saluti...........................................................................................................
the making of.......................................................................................
ringraziamenti...

Chitarra Lampo sarà al MUSIC ITALY SHOW di Bologna dal 14 a 16 giugno 2013, con il libro:

BUILDING A SELMER MACCAFERRI GUITAR
Michael Collins

Building a Selmer Maccaferri Guitar details the step-by-step construction of the
laminated European style Jazz guitar, made famous by the great gypsy Jazz guitarist, Django Reinhardt.

TUTTI GLI ORDINI E LE SPEDIZIONI ENTRO IL 13 GIUGNO 2013, RICEVERANNO UN BIGLIETTO OMAGGIO PER IL MUSIC ITALY SHOW A BOLOGNA, PER I GIORNI VENERDì 14, SABATO 15, E 16 GIUGNO 2013.

http://www.musicitalyshow.com/home/1133.html

''LUCE & OMBRA INCONTRO CON JIMMY PAGE''
DELL'ADULATORE BRAD TOLINSKI.
Nella prefazione l'autore del libro parla di dicerie riguardo l'assunzione di sostanze da parte di Jimmy ?! quando invece è confermato da numerose biografie autorevoli sul gruppo come ''il martello degli dei'', e da Jimmy Page stesso nelle pagine  successive in questo libro, che alla fine degli anni '70 Mr. Jimmy Page fosse dipendente dalle sostanze.

UN MISTERIOSO REGALO INASPETTATO.
La famiglia Page si trasferisce in un nuovo appartamento completamente vuoto. Il decenne James cammina per le stanze per ambientarsi, trova una vecchia chitarra appoggiata sul pavimento di legno, al centro della stanza. E con questa prima chitarra che Patrick incomincerà a suonare. I Page chiesero ai precedenti inquilini per restituirla, ma nessuno sapeva niente di quella chitarra, ne da dove venisse ne a chi appartenesse.

IL PROFILO PSICOLOGICO CHE NE EMERGE E' DI UNA PERSONA PERMALOSA, ORGOGLIOSA, CAPRICCIOSA, UNA VERA ''ROCKSTAR'', E SE UN GIORNALISTA SI PERMETTE DI FARGLI DOMANDE FASTIODIOSE RIGUARDO I NUMEROSI CASI DI PLAGIO CHE ACCUSANO LE CANZONI DEI LED ZEPPELIN, O AL SUO INTERESSE PER L'OCCULTO, PAGE INTERROMPE IMMEDIATAMENTE L'INTERVISTA.
MA TOLINSKI SA' COSA PUO' CHIEDERE E COSA NO.

PAGE AFFERMA: LE PARTI DI CHITARRA NON POTEVANO ESSERE TROVATE, IO LE CAMBIAVO, E' CON I TESTI E IL CANTO CHE CI HANNO SCOPERTO DI PLAGIO.

L'AUTORE DI QUESTO LIBRO CHE E' UN GIORNALISTA DELLA FAMOSA RIVISTA SPECIALIZZATA PER CHITARRISTI ''GUITAR WORLD'', E IN QUESTO LIBRO SONO RIPORTATE ALCUNE SUE INTERVISTE, E SI PARLERA' MOLTO DI ACCORDATURE, DI CHITARRE, DI AMPLIFICATORI, ''QUALE EFFETTO HAI USATO IN QUELL'ASSOLO'' ? DI ACCOPPIATE LES PAUL-MARSHALL, E DI QUANTA TELECASTER C'E' NEI DISCHI DEI LED ZEPPELIN, DELLA PROFONDITA' DEL MICROFONAGGIO,

UN'INTERO CAPITOLO SOLO SULLA STRUMENTAZIONE: LA CHITARRA ACUSTICA HARMONY, ...

NEL LIBRO C'E' UN CAPITOLO CON UN'INTERVISTA A JIMMY BROWN, CHE E' IL TRASCRITTORE DI NUMEROSI LIBRI DEI LED ZEPPELIN.

UN CAPITOLO SULL'INTERESSE PER L'OCCULTO, LA SICILIA, ''IL MOSTRO DI LOCH NESS'' ...

GLI ANNI CON GLI YARDBIRDS
UN'INTERVISTA CON L'AMICO JACK WHITE
UN'INTERVISTA CON JOHN PAUL JONES
UN'INTERVISTA CON JEFF BECK